The First World War Centenary: Lest We Forget

14 Nov

Sunday 11 November 2018 marked the 100th anniversary of the end of the First World War, which lasted from 28 July 1914 – 11 November 1918.  The war was initiated in Europe with the assassination of the Archduke Franz Ferdinand, but was fought globally by the opposing sides of the Triple Entente and the Central Powers.  It was, in one sense, the clash of empires as the European nations coalesced into two large blocs who ultimately mobilized over 70 million military personnel from around the world.  The bare facts on the detailed Wikipedia page state that roughly 15-19 million individuals died (9-11 million military and roughly 8 million civilian) and many more were injured throughout the conflict.

On Sunday I visited the cinema to watch the newly-released documentary They Shall Not Grow Old, directed by Peter Jackson, which focused on the experiences of soldiers on the Western Front and on the notorious trench warfare in which they served.  The documentary was notable for the colour restoration of original archive footage and the implementation of technology used to speed up or slow down the footage rate equally to help create a modern look.  Alongside this Jackson’s team artificially created frames to make the footage run even smoother.  The result was visually stunning and brought into sharp focus the individuals within the footage; it felt like you could reach out and talk to them.

Whilst watching the question and answer session after the documentary, what struck me most was Jackson’s point regarding the voices that are missing from the footage: those of the individuals who had died in the course of the war.  They are the silent record of the war and its impact.  This was a war unlike any previous, in both mechanization and in its geographic spread.  Time for many simply stopped.

Shrapnel from a shell embedded within a clock. This was the result of the maritime bombardment of the Hartlepools by the German navy on the 16 December 1914 which killed over 100 people. Among those killed were Private Theophilus Jones, aged 29, who became one of the first soldiers to die on British soil by enemy action during the war. A seamstress named Hilda Horsley, aged 17, became the first civilian to die on British soil by enemy action during the war as she ran from the bombardment. Image credit: Hartlepool Cultural Services. The clock is available to view at the Hartlepool Museum.

Advertisements

A Soviet Reader: An Annotated Bibliography of Recent Reads

14 Oct

This bibliography is an attempt at keeping a quick record of my recent reads (both fiction and non-fiction) regarding the Union of Soviet Socialist Republics (USSR) and its history.  The eagle-eyed among you will notice all of the volumes are English translations, and as such this imposes a boundary between what has and has not been translated.  As always when one reads for pleasure and information personal choices are made, authors and tastes are developed and pursued, and books that should be read remain unread.  Choices are partly dictated by access.

For instance, I discovered Aleksandr Solzhenitsyn’s Cancer Ward and Mikhail Sholokhov’s And Quiet Flows the Don on my dad’s bookshelf, others such as the modern author Svetlana Alexievich by reading literary reviews and becoming aware of her work.  Sometimes there is surprise that so monumental an author can remain forgotten within the sphere of common knowledge, such as Vasily Grossman, of whom I personally did not discover for far too long a time.  Some volumes, such as Varlam Shalamov’s Kolyma Tales which is based on his experiences in the Gulag, are soon to be republished and I keenly await the volume.  There are plenty of other volumes that have not been translated into a language I can read or simply authors that I remain ignorant of.

Conference room of the Supreme Council in Tashkent, Uzbekistan, by noted photojournalist Max Penson (1893-1959). Following his forced movement to Uzbekistan with his family in 1914, Penson became one of the best-known photojournalists in the Soviet Union from 1920-40, particularly for his images of life in Uzbekistan. In later life he was forced to leave his employment in 1948 due to a rise in anti-Semitism. Photograph: M. Penson.

Having wrote out a quick list of Soviet-era novels I’ve had the pleasure (and often sadness) to read, I find it thoroughly hard to pick one that is my favourite as the styles are so varied and the approaches so different.  However and on reflection, there are three novels that stand out for me.  They are the Don Epic (includes And Quiet Flows the Don and The Don Flows Back to the Sea, 1928-40) by Mikhail Sholokhov, The Master and Margarita (1967) by Mikhail Bulgakov, and Vasily Grossman’s Life and Fate (1960).  All three offer varying degrees of criticism or support of the USSR and all three differ in their approach and in their individual authors fate.  Some circulated as samizdat (underground literature), whereas others were State sanctioned and celebrated.  Many authors who were active during the revolutions of 1917, such as Teffi and Yury Felsen, saw the writing on the wall in the bitter winter months of 1917-18 and sought sanctuary elsewhere in a fractured Europe, riven by war.  Later events, such as the so-called Terror Famine (and associated famines in Soviet lands) of 1933-34 and the Great Purge (or Great Terror) of 1936-38, turned many Old Bolsheviks away from the Party.

I’m also interested in this era of writing because of its historical context.  To write critically, to write truthfully, took some strength to do when the repercussions could be so severe.  Fictional works too were often suppressed or destroyed.  In recent days I have read a number of news articles focused on the killing or physically harming of journalists and educators worldwide, from Turkey (political oppression and murder) to Brazil (harassment), America (political pressure and threats) to Bulgaria (murder) and Malta (murder).  In many countries facts, the search for justice and the will to present the truth to the public (and the public’s willingness to digest this) are under open attack, even in so-called democratic states where media, particularly investigative journalism, is demonised openly and widely.  It would be crass to directly contrast the two wildly different contexts, but we must be aware that it is a continuing balancing act – to report and to be critical, either through fiction or non-fiction, is always an act on a knife-edge.  To tell the truth you sometimes have to give up your freedom; you may even have to give up your life and those of who you love to inform the world.

Please be aware that this post will be regularly updated to include annotations on the volumes listed below.  It will also be added to as and when I read new volumes.

Political & Social History

Alexievich, S. 2016. Chernobyl Prayer. Translated from the Russian by Anna Gunin and Arch Tait. London: Penguin Classics.

Alexievich, S. 2016. Second-Hand Time: The Last of the Soviets. Translated from the Russian by Bela Shayevich. London: Fitzcarraldo Editions.

Alexievich, S. 2017. The Unwomanly Face of War. Translated from the Russian by Richard Pevear & Larissa Volokhonsky. London: Penguin Classics.

Svetlana Alexievich (1948-), a recent Nobel Prize Winner for Literature from Belarus, is justly famous for ‘her polyphonic writings, a monument to suffering and courage in our time’ as cited in her award.  A recent trio of English-language translations have brought her to greater attention within the Anglo-sphere and introduced many to her unique style of letting her interviewees talk uninterrupted.  For some this may blur the line between fiction and non-fiction, but the results are an intimate look into the lives of those that have been hidden for so long.  The above trio of volumes deal, respectively, with the Chernobyl nuclear accident, the fall of the Soviet Union throughout the late 80s and 90s and its impact, and the role of females in the Second World War and the aftermath in the USSR.

Applebaum, A. 2004. Gulag: A History of the Soviet Camps. London: Penguin Books.

Applebaum, A. 2013. Iron Curtain: The Crushing of Eastern Europe. London: Penguin Books.

Applebaum, A. 2017. Red Famine: Stalin’s War on Ukraine. London: Allen Lane.

Beevor, A. 2007. Stalingrad. London: Penguin.

This is the book that started my initial interest in understanding the Russian position in the Second World War, particularly in understanding the impact that the pivotal battle of Stalingrad (now Volgograd) had in breaking Hitler’s Wehrmacht.  Beevor (1946-) writes a cogent, richly sourced analysis of the battle and its historical importance as it raged in the cold winter of 1942-43

Conquest, R. 2007. The Great Terror: A Reassessment. Oxford: Oxford University Press.

Kotkin, S. 2015. Stalin: Paradoxes of Power 1878-1928. London: Penguin.

Kotkin, S. 2017. Stalin: Waiting for Hitler 1928-1941. London: Allen Lane.

Together, with the volume ‘Paradoxes of Power’, ‘Waiting for Hitler’ is the second in a trio of volumes that paint a deeply researched biography of Joseph Stalin (1878-1953), a Soviet revolutionary and General Secretary and Premier of the USSR.  I’m currently half-way through the second volume and it is an eye-opening body of work, one that I highly recommend to anybody with an interest in history or modern history.  Understanding the USSR (and the transformations after its fall) is fundamental to today’s world state and to the underpinning of politics on the international stage.  By focusing on the figure who helped take over after the death of Vladimir Lenin in 1924, Kotkin (1959-)provides a richly researched narrative of the day-to-day running of the Russian Soviet Republic and eventual USSR as viewed through Stalin’s immense capability for work, political understanding, and brutality. 

Merridale, C. 2013. Red Fortress: The Secret Heart of Russia’s History. London: Allen Lane.

Plokhy, S. 2017. Lost Kingdom: A History of Russian Nationalism from Ivan the Great to Vladimir Putin. London: Allen Lane.

Solzhenitsyn, A. 2003. The Gulag Archipelago 1918-56: A Experiment in Literary Investigation. Translated from the Russian by Thomas Whitney and Harry Willets, abridged by Edward Ericson Jr. London: The Harvill Press.

Steinbeck, J. & Capa, R. 2000. A Russian Journal with Photographs by Robert Capa. London: Penguin Classics.

It is always a pleasure to read Steinbeck’s non-fiction work and this journal, wrote in the late 1940’s after a visit throughout the USSR with the celebrated war photographer Robert Capa, bears all the hallmarks of his wit and comedic flair.  Still this is a sombre read of the after effects of the Second World War, a war which devastated the population and infrastructure of the Soviet Union.  The chapter regarding the visit to Stalingrad (today called Volgograd) is particularly harrowing.  Criticism of the USSR is lacking however and this was noted in the reviews and discussions following the book’s publication.

Teffi. 2016. Memories – From Moscow to the Black Sea. Translated from the Russian by R. Chandler, E. Chandler, A. M. Jackson & I. Steinberg. London: Pushkin Press.

Teffi (1872-1952, pen name of Nadezhda Alexandrovna Lokhvitskaya) was a famous humourist writer in the early 20th century best known for her contributions to the magazine Satyricon.  ‘Memories’ documents her overland flight from St. Petersburg to the Black Sea where she caught a ferry to Turkey in 1919, following the twin revolutions of 1917 (the February overthrow of the Tsar and the Bolshevik revolution in October) and the subsequent political crack downs that followed.  Although the volume deals with a particularly dark affair of fleeing one’s home country, this memoir is particularly funny as Teffi makes her observations and relies on her hilarious and indefatigable guide, Gooskin.  She spent the remainder of her life in Paris, France, never to return to Russia.

Wells, H. G. 2012. Russia in the Shadows (Classic Reprint). London: Forgotten Books.

Folk and Magic Tales

Chandler, R. (ed.). 2012. Russian Magic Tales from Pushkin to Platonov. London: Penguin Classics.

A fundamentally important introduction to the cultural and traditional importance of magic tales within the Russian and Slavic imagination.  Chandler introduces a range of authors, including Platonov and Teffi, who tackle long-standing magic tales where transformation of both lives and forms becomes a bubbling, and often humorous, vehicle to comment on their own historical context.  This is a great book to become familiar with figures mentioned throughout Russian traditional culture, such as Baba Yaga, which still appear in modern media (think of Zvyagintsev’s 2017 film Loveless and the grandmother figure living in the woods.

Novels

Babel, I. 2016. Odessa Stories. Translated from the Russian by Boris Drayluk. London: Pushkin Press.

Isaac Babel (1894-1940) was one of the highest writers authors to die during Stalin’s Great Purge (otherwise known as the Great Terror).  The Great Purge dated from roughly 1936-38 and spread across the Soviet Union and ultimately saw many hundreds of thousands (possibly millions) put to death or sent to prisons during purges of the military, political, cultural, and professional classes, and the so-called ‘Kulak’ class.  ‘Odessa Stories’ is a collection of Babel’s thrilling tales set in the primarily Jewish coastal city by the Black Sea.  Famously introducing the character of Benya Krik, the gangster, the tales uncover the seedy underbelly of the Ukrainian city.  Among the stories is a moving account of the effect of a program against the Jewish residents. 

Berberova, N., Felsen, Y., Gazdanov, G. & Kuznetsova, G. 2018. Four Russian Short Stories. London: Penguin Classics.

Not strictly historical, but an insight into four disparate writers who fled Russia following the Bolshevik takeover in 1917 and spread themselves across Europe in an émigré cultural diaspora.  Each story in this short paperback deals with the outcome of a death and its impact, eith the feeling of loss rippling through the pages.

Bulgakov, M. 2007. The Master and Margarita. Translated from the Russian by Larissa Volokhonsky and Richard Pevear. London: Penguin Classics.

Gessen, K. 2018. A Terrible Country. London: Fitzcarraldo Editions.

Whilst not dealing directly with the Soviet Union (as Keith Gessen’s highly personal novel is set in 2008), the turbulent 20th century does cast a long shadow in this entertaining and often hilarious novel of one man rediscovering his birth country whilst having to look after an aging relative.  The historical and modern social impacts of violently shifting cultural and political landscapes are well observed and captured in this novel.  They are gently, and believably, entwined with both family members and the friends that the main Soviet-born character, Andrei Kaplan, make in modern-day Moscow after leaving behind his life in America.

Grossman, V. 2006. Life and Fate. Translated from Russian by Robert Chandler. London: Vintage.

Often described as the 20th century’s War & Peace, Life & Fate is a monumental novel of insight into the USSR during the raging battle of Stalingrad in 1942-43.  Centered upon the family of Vicktor Shtrum and the Shaposhniokova sisters, Grossman introduces a panoply of figures across the length and breadth of the USSR and develops their role within the Great Patriotic War (as the Second World War is known in Russia).  This multifaceted novel dissects Stalinism and Nazism, the nature of the State itself, and the vying reality of Jewish identity caught between the Soviet sphere and the impact of invading German forces.

Grossman, V. 2011. Everything Flows. Translated from the Russian by Robert and Elizabeth Chandler, and Anna Aslanyan. London: Vintage.

Platonov, A. 2010. The Foundation Pit. Translated from the Russian by Robert and Elizabeth Chandler, and Olga Meerson. London: Vintage.

Sholokhov, M. 2017. And Quiet Flows the Don. Translated from the Russian by Stephen Garry. London: Penguin Classics.

Sholokhov, M. 1984. The Don Flows Home to the Sea. Translated from the Russian by Stephen Garry. London: Penguin Classics.

Solzhenitsyn, A.. 2000. One Day in the Life of Ivan Denisovich. London: Penguin Classics.

Solzhenitsyn, A. 2003. Cancer Ward. Translated from the Russian by Alexander Dolberg. London: Vintage Classics.

Zamyatin, Y. 1993. We. Translated from the Russian by Clarence Brown. London: Penguin Classics.

Graphic Novels

Nury, F. & Robin, T. 2017. The Death of Stalin. London: Titan Comics.

Second World War Memoirs

Koschorrek, G. K. 2002. Blood Red Snow: The Memoirs of a German Solider on the Eastern Front. London: Greenhill Books.

Sajer, G. 1999. The Forgotten Soldier: War on the Russian Front – A True Story. London: Cassel Military Paperbacks.

The above two volumes, and their veracity of truthful experience, have both been discussed time and time again by critics and reviewers in their description of life on the Eastern Front as German soldiers.  Regardless of the truth both volumes present hideous experiences on facing the Red Army during WWII, first claiming new territories and then slowly losing them, mile after bloody mile.

Spotted: Early Career Human Osteologist Job(s) in London

9 Aug

The core source of commercial archaeological jobs in the United Kingdom of Great Britain and Northern Ireland is BAJR, the British Archaeological Jobs & Resources website.  It is the golden door to finding a foot or a rung up the greasy ladder of employment (barring knowing folks!).  Ran by David Connolly, BAJR tirelessly fights for fair wages and good working conditions on top of this.  I highly recommend joining the Facebook group for entertaining talk and top advice.  But that isn’t what caught my attention earlier today, it was this:

The badge of the advert as seen on BAJR on 09/08/2018. Image credit: BAJR.

Seeing a Human Osteologist role advertised on BAJR can be quite rare indeed as these job roles are often only available within larger commercial units who have the facilities and expertise to analyse human skeletal remains from archaeological sites, or are contracted out to sole traders or university specialists.

So the opportunity to work in central London on a major urban infrastructure project with the excavation and analysis of some of the country’s largest cemeteries looks like a once in a career chance.  Even better, they want early career human osteologists!  The job itself is contracted to run until the end of March 2019 and the lucky employees will be contracted to either MOLA (Museum of London Archaeology) or Headland Archaeology to work on the jointly ran project.

Please note the specific details, as quoted verbatim from the advert:

Working closely with a team of highly experienced archaeologists and human osteologists you will contribute to and develop understanding of the past through the excavation, identification, processing (washing and packaging) and recording of human skeletal remains.

Successful candidates will have a degree in Archaeology or a related subject and post-graduate qualification in Osteology or a related subject. Candidates with a demonstrable background in Osteology will also be considered. Proven ability in the identification of human remains and pathological bone conditions and knowledge of current legislation and guidelines are essential.

A good general knowledge of British archaeology and commercial archaeology, particularly in the excavation of post-medieval burial grounds would be an advantage.

Having looked through the application form I also noted that there would be an opportunity to pursue your own research interests – an invaluable opportunity for early career human osteologists with access to such a large collection of human skeletal remains.

The Deadline is Monday 20th August 2018 for applications, good luck to everyone applying!

If any other employment opportunities arise on BAJR specifically for human osteological or bioarchaeological positions I shall try to endeavor to mention them on These Bones of Mine.  Please do be aware that the jobs advertised from this site are generally for the United Kingdom and restrictions may apply for potential applicants from abroad.  As such I would advise would-be applicants to carefully consider the job and role specifications, alongside the essential and desired criteria, as outlined by each company individually.

Further Information

  • The job application and specification details can be viewed and downloaded from the BAJR website here.
  • The indefatigable David Connolly has previously and kindly produced an eye-opening and inspiring series of guest blog posts on These Bones of Mine detailing the rise of BAJR.  Check the entries out here.

Casting A Wider Net: An Example of Care in a Prehistoric Context

27 Jul

Due to a number of factors I haven’t updated this blog for a while now, but that doesn’t mean that I am completely inactive.  A number of posts are upcoming, however they just may take a while to be published due to a number of other issues that mean this site takes a back seat (I have been blogging elsewhere though).  I do still keep an eye out on other osteologically and bioarchaeologically focused blogs (such as the fantastic triplet of sites that includes Bone Broke, Bodies and Academia and Powered By Osteons).  Occasionally I also scan the relevant journals for updates and news, printing articles of interest (and praying that they are open access when I click them!).

Today two such articles caught my eye on the always reliably diverse and interesting International Journal of Palaeopathology website.

The first, by Vairamuthu & Pfeiffer, discusses the possible differential diagnoses of a juvenile female whose skeletal remains display ‘pervasive bone wasting and fragile jaws’ (2018: 1).  The individual, known as Burial 2, was aged 16 years at death and located within a Late Archaic cultural context dating to roughly 3000 BP (Before Present). This cultural context at the Hind Site in Middlesex County, Ontario (Canada), represented a highly mobile society who practiced a seasonal and migratory foraging and hunting lifestyle.  Through careful anatomical study of the skeletal elements, including the patterns of bone wastage and growth, along with a thorough differential diagnoses investigation, the researchers conclude that the individual known as Burial 2 likely had Osteogenesis Imperfecta (type IV), a very variable type of the disease which predominately affects the skeletal system due to a lack of type I collagen in connective tissues.

Photograph taken from the original 1968 Late Archaic excavation in Middlesex County, Ontario. The site dates to roughly 3000 BP. Burial 2 (right) is a juvenile individual (aged at 16 years old at time of death), who has been sexed as a female, located next to the adult female Burial 3 (left) within the same grave. Both were in a flexed body position and facing each other. Image credit: Vairamuthu & Pfeiffer 2018: 3.

What really intrigued me about Vairamuthu & Pfeiffer’s study was the model of care discussion (2018: 6-7) which though exceptionally brief indicated the sociocultural background of modern individuals who live with Osteogenesis Imperfecta (OI) in its many forms:

A medical anthropological study that interviewed people of diverse socioeconomic and geographic backgrounds who have OI describes such individuals as small (22-45kg), and having a particular behavioral phenotype of ‘resilience’.  This phenotype is characterized as being bright, accomplished and often adventurous (Ablon 2003). (Emphasis mine).

It is good to see this being highlighted within the (impressive) osteological analysis of the human remains, of the 16-year-old female now identified through the modern moniker of ‘Burial 2’.  This was an individual who likely needed care and assistance in daily ambulation, along with the preparation of a soft food diet, transportation, hygiene, and various activities regarding upper limb strength (Vairamuthu & Pfeiffer 2018: 7).  Whilst reading through the paper I thought that the individual would make an interesting Bioarchaeology of Care case study, particularly so as the archaeological context is well documented and a number of other individuals representative of Burial’s 2 immediate temporal population are available for comparative analysis.

On a personal level this also reminded me of what a former orthopaedic consultant had mentioned to me previously regarding the hardiness of children after extensive skeletal trauma and surgical interventions, the fact that juveniles are far more resilient than is often expected of them by adults.

The second article by Gresky et al. (2018: 90) focused on a palaeopathological case study of a male aged 22-25 years at death, skeletally complete and excavated from a mound at the burial ground of Budyonnovsk 10 in the Stavropol region of southern Russia. The site itself dates from the Middle Bronze Age to some partial use of the mounds up until the late Middle Ages, however the archaeological context of Burial 14 dates to the Late Catacomb Culture, approximately 2500-3000 BCE (Before Common Era).

The Catacomb burial of Burial 14 at Budyonnovsk 10 in Burial mound 7. The individual is buried in a crouched position, head orientated south. Image credit: Gresky et al. 2018: 92.

A discreet dysplastic lesion was discovered in the mandible of Burial 14, with the involvement of the right lower canine alveolus.  This was examined via macroscopic analysis, digital microscopy, plain and contrasting radiology, and by thin slicing sections of the mandible itself.  Again a thorough differential diagnoses analysis was carried out and helped rule out Fibrous Dysplasia (monostotic) and Ossifying Fibroma as likely culprits, as Osseous Dysplasia (periapical) suited the physical and microscopic presentation of the lesion.  The important point from this study is that researchers should be aware of the frequent presence of fibro-osseous lesions within archaeological material (Gresky 2018: 97).

The above study initially caught my attention as I have Fibrous Dysplasia (polyostotic), as a part of the rarer McCune Albright Syndrome, and I was keen to see if the osteological literature had identified another individual with Fibrous Dysplasia.  Although this was not the case, it was a particularly interesting read to help differentiate osseous lesions found in skeletal elements within archaeological contexts.

Bibliography

Ablon, J. 2003. Personality and Stereotype in Osteogenesis Imperfecta: Behavioral Phenotype or Response to Life’s Hard Challenges?. American Journal of Medical Genetics. 122A (3): 201-214.

Gresky, J., Kalmykov, A. & Berezina, N. 2018. Benign Fibro-Osseous Lesion of the Mandible in a Middle Bronze Age Skeleton from Southern Russia. International Journal of Palaeopathology. 20: 90-97. (Open Access).

Vairamuthu, T. & Pfeiffer, S. 2018. A Juvenile with Compromised Osteogenesis Provides Insights into Past Hunter-Gather Lives. International Journal of Palaeopathology. 20: 1-9. (Open Access).

Updated II: Human Osteology Postgraduate Courses in the United Kingdom

27 Mar

Please note: I originally wrote this post a few years ago in order to outline the available human osteology/bioarchaeology postgraduate courses in the United Kingdom as a guideline for the degree fees and availability.  However since then a number of substantial national and international changes have occurred.  These include, but are not limited to, the increase of undergraduate tuition fees to £9000.00 per academic year; the general increase of the price of Masters degrees; the new availability of student loans for Masters students; changes to Disabled Students Allowance from the 16/17 academic year onward; the transfer of some Student Finance grants to loans; the Government White paper released in May 2016 outlining challenges and changes needed in higher education, etc.  There is also ongoing discussion between the government and the educational sector regarding the pricing of courses according to economic worth and employability.

One of the more important changes was the outcome of the referendum in the United Kingdom whether it to remain or not a part of the European Union.  The resultant outcome led to the voting majority opting to leave the European Union.  This is due to happen in 2019, with a probable period of transition that has yet to be agreed in parliament, but the Government of the United Kingdom recently stated that it would guarantee European Union funding for projects signed before the Autumn Statement until 2020.

—————————————————————————————————————————————-

Whilst I was doing some light research for another article I made a quick list of every course in the United Kingdom that offers human osteology as a taught masters (either as an MA, Masters of Arts, or as an MSc, Masters of Science) or offers a distinctive human osteology module or component within a taught masters degree.  Human osteology is the study of human skeletal material from archaeological sites.  Human osteologists study bones to identify age, biological sex, pathology and pre- and post-mortem trauma alongside other avenues of research in human behaviour and activity, such as investigating diet and mobility of post populations.  The subject is generally only taught at a Masters level within the United Kingdom, although some undergraduate courses in archaeology offer the opportunity to take individual modules during the third year of study.

Within the list England as a whole is well represented within the universities highlighted, Scotland only comes in with three entries, Wales has two courses coming online in 2019, and finally Northern Ireland, as far as I know, offer no distinctive osteological courses at the Masters level.  Further to this, the reader should be aware that some universities, such as the University of Leicester, offer commercial or research centers for human and animal osteology yet run no specific postgraduate courses that provide the training in the methods of osteoarchaeology.  Thus they are excluded from this list.

This information is correct as of November 2018, but please expect at least some of the information to change, especially in relation to course fees for United Kingdom, European Union, and international students.  It should be noted here that the higher education sector in the United Kingdom is internationally well-regarded and the educational institutions are often in the top 10% in world league tables; however it can be very expensive to study here, especially so in the consideration of prospective international students.  Please also take note of the cost of renting (especially in London and the south of the country generally) and the high cost of daily living compared to some countries.  The list is not an exhaustive attempt to collate all British post-graduate courses in human osteology and bioarchaeology and I am happy to add any further information or to correct any entries.

Other Sources & Prospective Student Advice

The British Archaeological Jobs and Resources (BAJR) site, ran by David Connolly, also has a plethora of useful resources to check as well as an active Facebook group which is a great place to ask for advice.  The British Association of Biological Anthropology and Osteoarchaeology (BABAO)  site contains a page with a useful link of current human osteology and bioarchaeology courses in the United Kingdom accessible in the Student Hub area, however it is only view-able for paid up members of BABAO.  If you are interested in human skeletal remains and are keen to learn more about the human osteology profession in the United Kingdom I heavily suggest joining BABAO for their support, annual conference and access to grants for students.

I’ve also written a second post to compliment this one which entails what you, as a prospective student, should keep in mind when looking at degree courses to pursue.  You can check out that post by clicking the title here: Questions to remember when considering a postgraduate course in human osteology.  Since the posting of this blog entry it has come to my attention that a number of universities now offer postgraduate courses as diplomas, which enable prospective students to undertake either practical modules or assignments or instead offer commercial certification in place of the typical formal requirement of the dissertation thesis.  This may be something to think on if you are seeking to work in commercial osteology for archaeological units or forensic companies, rather than heading into academic research or academia itself.

skull-saxon

An example of an archaeological skull. Image credit: source.

Please note that the fees stated are for full-time students only.  For part-time students the price is normally halved and the course carried out over two years, instead of the usual one year that is common for Masters within the United Kingdom.  Several universities also have stipulations that international students are barred from taking MSc/MA course part-time.

MA/MSc Degrees in England

Bournemouth University:

University of Bradford:

University of Cambridge:

  • MPhil Human Evolution (amazingly there are 18,000 skeletons in the Duckworth Collection!).

Cranfield University:

University of Central Lancashire (UCLAN):

University College London:

University of Durham:

University of Exeter:

  • MSc Bioarchaeology (Offers choice of one of three core pathway topics, including human osteology, zooarchaeology and Forensic Anthropology) (UK/EU £7,995 and International £16,995).

Universities of Hull and York Medical School:

  • MSc Human Evolution (A very interesting course, combining dissection and evolutionary anatomy) (UK/EU £7,940 and International £20,910).

University of Liverpool:

Liverpool John Moores University:

University of Manchester:

  • MSc Biomedical and Forensic Studies in Egyptology (course under review).

University of Oxford:

University of Reading:

  • MSc Professional Human Osteoarchaeology (includes commercial training, such as how to tender for projects, making quick decisions in the field, etc.) (UK/EU £8,620 and International £19,230).

University of Sheffield:

University of Southampton:

University of Winchester:

University of York:

MA/MSc Degrees in Scotland

University of Aberdeen

University of Dundee:

University of Edinburgh:

MA/MSc Degrees in Wales

Wrexham Glyndwy University*:

  • MRes Forensic Anthropology and Bioarchaeology (UK/EU £7,000 and International £15,000).
  • MSc Forensic Anthropology and Bioarchaeology (UK/EU £7,000 and International £15,000).

*In conjunction with Cyprus Institute of Sciences and Humanities (CYPISH) and the Centre for Forensic Anthropology & Bioarchaeology (CeFAB), from 2019.  No current course pages exists, this post will be updated when there is a dedicated MRes and MSc web-pages.

The following universities offer short courses in human osteology, osteology, forensics or zooarchaeology

Short Courses in England

Cranfield University:

University of Bradford:

  • On occasion run a palaeopathology course, please check the university website for details.

University of Sheffield:

Note: I am still genuinely surprised there are not more short courses.  If you find any in the United Kingdom please feel free to drop a comment below.

11111

A University of Hull and Sheffield joint excavation at Brodsworth carried out in 2008 helped to uncover and define a Medieval cemetery. Image credit: University of Hull.

A Few Pieces of Advice

A piece of advice that I would give to prospective students is that I would strongly advise researching your degree by visiting the universities own web-pages, finding out about the course specifics and the module content.  If possible I’d also visit the department and tour the facilities available and seek advice from the course leader with regards to potential research interests.  I would also always advise to try to contact a past student and to gain their views on the course that they have attended previously.  They will often offer frank advice and information, something that can be hard to find on a university web-page or from a course leader.  Also please do be aware of the high cost of the United Kingdom higher education as prices have been raised considerably in the past few years and are likely to rise again, especially so in comparison to cheaper courses on the European continent.

Finally, if you know of any other human osteology or bioarchaeology Masters or short courses in the United Kingdom please do comment below or send me an email and I will add it to the list here.

British Undergraduate/Postgraduate Opportunity: Erasmus+ Grant Funded Placement to Alba Iulia, Romania, March-April 2018

2 Feb

As long-term readers of this site will know I had the great pleasure of attending a Leonardo Da Vinci European Union funded archaeology placement in Magdeburg, Germany, via Grampus Heritage, in 2011 for 6 glorious weeks.  If you’re interested in reading what I got up to over there please read my review here.  I now have the pleasure of highlighting a placement, courtesy of Joanne Stamper of Grampus Heritage, under the Erasmus+ banner (a successor of the Leonardo Da Vinci programme) that still has a small number of places for spring 2018.

This is the chance to join a fantastic placement in Romania, aimed at recruiting undergraduates and postgraduates in the United Kingdom and introducing them to a fascinating cultural exchange and introduction to Romanian Neolithic archaeology.  The exciting placement involves archaeological excavation of a Central European Neolithic site, human osteological analysis, and finds processing of the excavated material.  Read on to find out more and how to apply if you are eligible . . .

Student Erasmus + Grant Funded Placements Available for Alba Iulia, Romania

Date:  1st March – 29th April 2018.

Funding:  The grant will cover accommodation, so participants would need to get their own flights and budget for food (£50-70 per week depending on meals out) as well as the usual money for presents, toiletries, etc.  Participants also need to make sure they have a European Health Insurance Card (EHIC).

Placement Information:  The placement is hosted by Satul Verde with Universitatea „1 Decembrie 1918” in Alba Iulia.  The group will be assisting the team in analysing the human remains and pottery from the Neolithic excavation that has been run by the university for the past several years.

A snapshot of the work undertaken during the Romanian archaeology placement from previous years. Image courtesy of Joanne Stamper, Grampus Heritage.

The most intensive habitation period appears to have been around 4600-4500calBC when the Foeni group used the site, a group attributed to the funerary complex that has been the focus of the most recent excavations.  So far, the discovery of around 120 dis-articulated individuals mainly represented by skull caps has been very interesting as there are traces of burning on the caps, with no facial bones noted as being present.  This appears to indicate one of the unusual mortuary practices of the Lumea Noua community.  The demographic details of the site indicate that both adults and non-adults are represented, with male and female individuals present in the adult population.

It has been suggested that the human remains were not interred during an epidemic; moreover, collective death as a result of violence is unlikely since there at no traces of interpersonal violence, such as wounds inflicted by arrows or lithic weapons.  In addition, no arrow tips or axes have been found in connection with the human bone material.  One possible explanation of this funerary practice is that Alba Iulia was a ceremonial centre where Neolithic communities practiced organised burial rituals, including special treatment of human cranial remains.  Pottery has been found associated with the bone remains, of very good quality, made with clay with no impurities.  A large quantity of well burnished black topped fired vessels have been found at the site.  Pottery that has had painted decoration applied before being fired without any slip are also typical of this site.

A range of the tasks undertaken during the Romanian placement, including human skeletal excavation and analysis in the laboratory. Image courtesy of Joanne Stamper, Grampus Heritage.

The group will also be assisting in a rescue excavation, site details of which will be discussed with the group when the dates are confirmed during the placement.

Application:

Potential student applicants are advised to send in their application form as soon as possible via the Grampus Heritage website, where the form can be downloaded.  Please make note of the eligibility and conditions attached to each of the placements, including the above Romanian placement.  To contact Grampus Heritage regarding the above placement please email enquiries AT grampusheritage.co.uk or telephone on 01697 321 516.

Further Information

  • Read more about Grampus Heritage and the European Union funded Erasmus+ placements here.
  • Read my own reflection on the 6 week German archaeology placement in Magdeburg here, courtesy of Grampus Heritage and the European Union in 2011.
  • Read a guest post by Joanne Wilkinson, from 2012, on the joys of attending and taking part in a cultural heritage scheme as promoted by the Leonardo Da Vinci and Erasmus+ schemes here.
  • Try your luck guessing which anatomical landmarks I’ve highlighted on a bone from my Magdeburg placement in my human osteology quiz here.

Speaking to the Dead: A Multiple Guest Post Influenced by Svetlana Alexievich

3 Jan

This post and style has been influenced by Svetlana Alexievich’s Second-Hand Time: The Last of the Soviets (Время секонд хэнд) publication, which was released in 2013.  It is a work of non-fiction prose which explores the personal impact of the collapse of the Union of Soviet Socialist Republics (USSR) in 1991, through the recording of hundreds of interviews transcribed into monologues.  These were conducted with a wide range of individuals who experienced both life within the USSR and its modern-day constituents, including the present-day Russian Federation and surrounding independent countries.  I’ve previously mentioned the book in a blog entry here.  Alexievich, a resident of Belarus and the winner of the Nobel Prize in Literature in 2015, is no stranger to the impact of political persecution and has herself had to leave Belarus to seek sanctuary elsewhere for sustained periods of time.  The Nobel Prize committee described her works as ‘polyphonic writings, a monument to suffering and courage in our time’.

The book offers insight into the continual flux of humanity and it has moved me deeply.  If I’m not mistaken it is also the concluding chapter in a five-part cycle of work reporting on issues within the history of the USSR, although a number of the volumes have not yet been translated into English.  Those that have include Alexievich’s 1985 volume The Unwomanly Face of War (У войны не женское лицо), recently translated into English and republished, which uncovers the role of USSR females in the Second World War and the subsequent silence of their contributions, alongside 1997’s Chernobyl Prayer (ернобыльская молитва),  a volume which examines the impact of the nuclear reactor malfunction in Ukraine in 1986 and its effects on the clean up crews, physicians, and local inhabitants within Ukrainian, Russian and Belarusian territories.  That book includes material taken from over 500 interviews over 10 years, of which a revised edition was released in English in 2013.  A new reprint of an English translation of Zinky Boys (or Boys in Zinc, Цинковые мальчики) was due to be published in 2017; the volume looks at the impact of the USSR’s decade long war in Afghanistan from 1979 to 1989.  It is a volume I am now keen to read and to learn from.

This post should be seen as an attempt to convey the methods that Alexievich’s employs; it is not meant to diminish the impact and importance of the individual and personal stories contained within the volumes that she has produced.  Nevertheless, there are parallels that can be drawn out between historical events and the personal viewpoints of our field.  It is one I was keen to explore, to hear voices from friends describing their experiences of encountering human skeletal remains within archaeological contexts and how it inspires them – into careers, into dreams, into labours of love and worry.

A two-part previous edition of this series focusing on the life and thoughts of archaeologists can be read here and here.


The author’s monologue

– Buried and cremated, dismembered and decapitated, axial and axis, perimortem and postmortem.  The language we use to describe the dead can seem cold and clinical, a hidden distance in our lexical choices to keep the emotive at bay.  If we think of the skeletonized dead as people, with their own lives, thoughts and memories, instead of objects taking up space on the finds shelves or boxed silently away, it is perhaps then we remember that the past is not so different, not so foreign to the present.

Fragments of crania, rolled across my open palm for tactile inspection, used to remind me of the intangible border of death.  Reminded me that I too would die.  Bone, that wonderous structure of both flesh and stone, reminded me so vividly of what it is to live.  Having broken many of the elements within my own skeleton, I could feel kindred to those naturally fractured fragments before me, couldn’t I?

That decisive snap, the innervation of electric pain that contorts to dull throbs . . .  What I thought I knew, I desired to know in more depth.  My own experiences of skeletal breakages and repeated surgical interventions, my own handling of the blade cutting into flesh to show bone the sordid light of the dissection room.  The smell of my anatomical guide – the paper protected by clear plastic wallets, but the pages of which had nevertheless become permeated by the chemical smells of preservation.  These were the experiences that pushed me on.

From excavation to analysis, pulled from birth to death anew.  A whole new context of meaning imbued by the discipline of archaeology . . .  These were my dreams, the dull and long-drawn out thoughts that lay behind daily concerns and speculations.

What do others think, how do others interact with the skeletal material that represents an individual, a population, a species?


The illusion of mortality and the fickle nature of finality

Gabriela H.  Late twenties.  Post-doctoral researcher.

– I don’t know what drew me into studying skeletons – it was not the morbid aspect for sure.  I have never been to a funeral, and I don’t feel a pang for skull-themed aromatic candles spread around the house.  I might be ‘in search for a stable ground to step on’, as a psychologist once told me . . .  I don’t know if that is true, it might be, but it might as well have something to do with people.  I like people, and have always been interested in watching them, in understanding their passions, actions and thoughts.  But I should probably bear in mind that these are dead people.  Most of the time I try to ignore this though . . .  The image of a crime movie in which body parts are stacked in jars on shelves comes vividly to mind, and the comparison is rather worrying to be frank.

However, aren’t we (those studying the dead) caught in this eternal (no pun intended) puzzle?  Between having to acknowledge that these are dead people – that on the lab table and on the museum shelf it is death and mortality looking back at us, confronting our own fear of death.  Or seeing them as mere bones, objects that are there waiting for us to turn them into ‘high-impact’ articles?  Boundaries, and absences are unsettling: someone has forever disappeared, though some part of them has been left behind.

‘It is the living who expect insights from the dead’ a friend once told me, and he couldn’t have been more right (as you see I am trying to avoid saying ‘dead right’).  As a ‘dead bodies’ practitioner I think this line cuts to the core of the whole challenge of writing narratives about them – what are we hoping to achieve?  I think most of the times we are unsure, but it is rather hard to be sure about something like death, isn’t it?


On the joy of working with the hands and the truth concealed

Abigail L.  Mid-twenties.  PhD candidate.

– I often miss working with my hands.  The hours spent staring at a screen or trawling through journals are necessary for research, but they make me realise that the physicality of handling human remains, the engagement that comes with examining the material myself, is what really helps me to understand my subject best.  Carefully sorting through someone’s bones removes the abstraction of talking about statistics, trends and probabilities, and brings it back to the individual level, the only one that we can really identify with.  I gain satisfaction from the ordered and methodical work; the rest of my time is spent chaotically moving between tasks and failing to cross anything off my cluttered stacks of physical and digital to-do lists.  With the bones, I arrive early and skip lunch to give myself more time to work slowly and carefully.  I don’t feel the need for the extended walks around the park that my ‘office work’ prompts.  Almost everyone else smokes.

With long periods where I am kept in the office, the growing anticipation of these sparsely distributed tangible interactions with my subject sometimes leads to frustration.  Missing limbs (misplaced in the last decade; “I’m sure they were on display once”); a severe case of mould spreading through the axial skeleton; another “sorry it was lost in the war;” a set of misidentified and mis-catalogued remains that belong to some other site (which one, though?).

My recent osteological work has been characterised by dismay . . .  I’m concerned by the mishandling of human remains in museum and university contexts, but I can’t talk about it as I’m still relying on the goodwill of these institutions.

I can discuss general access issues and curatorial ethics in my thesis, but I can’t refer to my personal disappointment over being prevented from doing something I enjoy.  Is it even okay for me to enjoy this work?  To enjoy sorting, measuring, and recording human remains?  We are supposed to be enthusiastic about our research: engagement, outreach, impact, et cetera.  But people don’t always want to hear the specifics.  I was recently asked (by a palaeoethnobotanist) what I do to ward off all the bad Juju I must be attracting . . .  Alongside my enjoyment, if that is allowed, I also feel a deep anxiety about getting something wrong that I don’t feel in relation to other areas of my work.  It doesn’t seem to go away with experience.  Another topic with no real home for discussion.

My main anxiety at the moment, though, is in relation to my future employment prospects.  While the practical work is what sustains my interest, I also know I need to develop other research interests, other skills, other areas of expertise, in order to compete for jobs.  Most of these keep me inside.  I am increasingly realising that I will soon have little choice in the matter.


The search for identity in a modern context

Richard Smith.  Late forties.  Recovering field archaeologist.

– I’ve long been intrigued by the idea that for many people outside of the profession, the chief occupation of an archaeologist is digging up skeletons (at least for those who don’t think we’re looking for dinosaurs).  To be honest, that aspect probably played into my own set of disjointed reasons for wanting to become an archaeologist . . .  There is something very reassuring about seeing archaeologists carefully excavating away soil from around a skeleton – you know you’re seeing some ‘proper’ archaeology!

And yet, I had worked for more than 20 years as a commercial field archaeologist before I got the opportunity to excavate a ‘classic’ laid out flat skeleton.  It’s not that I’d not been doing much, but every site I seemed to work on was composed of pits, ditches, post-holes, and the like . . .  It’s not like I didn’t encounter human death in those years, but it was invariably in the form of cremated remains, frequently having undergone heavy comminution.  Say what you like, but it’s hard to perceive the humanity in the occasional flecks of white in a black and grey soil.

All that changed for me when I ended up working on a 19th century urban graveyard that was being cleared to allow the church to rebuild, expand, and cater for its dwindling flock into the 21st century.  For someone only used to human remains in the form of gritty powder, coming face to face with a skeleton was nothing short of shocking.  After two decades in the profession, I thought I was well beyond romantic notions of imagining myself into the lives and situations of my ‘subjects’.

But here I was, carefully scraping around a rib, an eye socket, or a femur, wondering about who this person might have been or how they lived their lives.  Admittedly, this was rather short-lived as some of the burials contained their original coffin plates that had their names and dates . . .  Some we eventually were able to track down to published obituaries only to find that they were all wonderful people who were sorely missed by all who knew them.  I wonder where they buried the bad blighters that everyone was glad to see the back of?


The author rejoins

– An historical aside:  ‘Do not divide the dead!’  A Soviet saying dating from the Second World War.  The blurring of lines between the immensity of the Jewish loss of life, and the death wrought across nationalities and ethnicities, versus the continuing vulgarities of Soviet antisemitism post-war which culminated, but did not end, with the Doctor’s plot of 1952-53.

Dividing the dead into known and unknown, into memory and out of time.  The question we never really ask is how much do we need to know, what can we afford not to know?  The almost intangible nature of truth, hidden within the Haversian canals and housed in osteons, each containing a multitude of experiences.

Experiences for which the individual, partitioned by plastic context bags placed among kin, friend or foe, known or unknown, remain silent; they are ready instead to be analysed by the skeletal specialist.  The step by step motions of measurements and non-metric notes taken; occurrences of presence and absences discussed; the archaeological context pondered over.  Relationships are suggested and situations hypothesized, the motivations are almost always guessed at.

An archaeological aside:  ‘The dead do not bury themselves.’  The individual, either as a single outlier or as part of a larger assemblage, become detached from their lived context and are given over to the researcher with the status of temporary ownership.  The dead have already died and their active participation in life is now over, but still they speak to the living as arbiters of the present.

We are not just analysing ourselves when we look into the empty eye sockets of the dead, we are commenting on the past and the vast variations found therein.  There is no distance greater than between the living and the dead, yet there is no closer divide.  That is the juxtaposition lying in wait, entombed within the cortical and trabecular bone, trapped within the enamel and dentine, ready to surprise the unwary.

Guest Interview: Putting Flesh on the Bones with James Neill

19 Dec

James Neill is a Project Archivist working on the Putting Flesh on the Bones project at the University of Bradford. Prior to this project James worked for a diverse range of arts, heritage and higher education organisations, including London Metropolitan Archives, the Mercers’ Company and the University of Arts London. As an archivist James has worked on a broad range of collections, from medieval manuscripts created by the Estate of Sir Richard Whittington to counter-cultural US comic books of the 1960s. His primary professional focus is working with archive collections with real historical, cultural or organisational value.


These Bones of Mine (TBOM):  Hello James, thank you for joining me here at These Bones of Mine! I have to say I am pretty excited to talk about your new project, entitled ‘Putting Flesh on the Bones’, which is based at the University of Bradford.  Could you tell us a little bit about the project and your role within it?

James Neill (JN):  Thanks David.  The ‘Putting Flesh on the Bones’ is an 18 month-long project which aims to catalogue, digitise and promote the archive collection of renowned palaeopathologist Calvin Wells (1908-1978).  The majority of the collection relates to Calvin’s distinguished palaeopathology career, but also reflects his many other intriguing professional and personal endeavours.  After his death Calvin’s archive of research papers, correspondence, photographs and transparencies, radiographs, and audio-visual material came to Bradford under the management of his friend and colleague Dr Keith Manchester.  This includes Calvin’s unique library of rare and antiquarian books on medicine, archaeology and anthropology.

The British palaeopathologist Calvin Wells examining a human crania. Image credit: University of Bradford.

When the collection arrived at Bradford it was divided between two different departments, with the palaeopathology material going to the Biological Anthropology Research Centre (B.A.R.C.), and his books and more personal ephemera being held by Special Collections at the J.B. Priestley Library.  This physical split as well as lack of comprehensive understanding about the contents of the collection limited its accessibility for potential users. Moreover many items, particularly the transparencies and audio-visual material, are vulnerable to deterioration and in need of professional conservation.

These factors motived B.A.R.C. Collections Manager Dr Jo Buckberry and Special Collections Librarian Alison Cullingford to bid in 2016 for a Wellcome Trust Research Resources Grant.  The purpose of the grant is to improve access to health-related library and archive collections, and is a substantial boon for archive projects across the U.K. Fortunately Jo and Alison were successful in their application and the ‘Putting Flesh on the Bones’ project was awarded a grant of almost £140,000.

We’re very fortunate because the grant has allowed us to afford a team of specialists, including a project archivist, osteologist, conservator and placement student.  As the project archivist my role is oversee each part of the cataloguing and digitisation process, as well as manage and organise all promotional aspects of the project through online and outreach activities.  Ultimately I am responsible for ensuring the collection’s potential for scientific and historical research is fulfilled by making it more accessible and known to relevant audiences as well the wider public.

TBOM:  Having been a longtime itinerant visitor to the University of Bradford, and its Department of Archaeological Sciences, I’ve always been intrigued by the fundamental role the department has played in establishing human osteology and palaeopathology as archaeological-based disciplines within Britain and internationally.  However, the university itself was the recipient of Calvin Wells physical archive rather than the base of his work. 

As such I’m intrigued by the relationship between the man and his archive.  How, and by what methods, are you making the numerous research articles, monographs, and review publications available to current researches?

JN:  Bradford’s role in developing palaeopathology teaching and research on an international level is central to the Calvin Wells Archive story.  It was Calvin’s wish that the collection be held in trust by the Wellcome Library with the intention of ultimate donation to a University offering a course in Palaeopathology to degree level.  With the introduction of the MSc Course in Osteology, Palaeopathology and Funerary Archaeology at Bradford, Calvin’s wife Freddie released the collection to the Department of Archaeological Sciences.

A collection of slides that were left behind in the archive, a very useful and durable form of documentation. Image credit: University of Bradford.

Whilst the collection is yet to be fully catalogued we’re confident that the archive holds the vast majority of Calvin’s published and unpublished skeletal research and reports.  This includes additional material, such as photographs, handwritten notes, annotated typescripts, and related correspondence.  For the first time, all of Calvin’s research will be available from one resource.  A central reason why the Wellcome Trust funded the project was our ability to demonstrate the continued interest and demand for Calvin’s work.  An analysis by Bradford’s Subject Librarian for Archaeology and Forensics Sarah George demonstrated that in the 40 years since his death, citations of his work have risen year on year.

The intention of the ‘Putting Flesh on the Bones’ project is to unlock the collection for potential researchers by producing a comprehensive catalogue of its contents. Our team Osteologist Michelle Williams-Ward is focused on parts of the collection which require specialist descriptions, such as Wells’ skeletal reports and associated photographic material. Michelle is uniquely placed for this role given that she has just completed a PhD thesis ‘Buried Identities: An osteological and archaeological analysis of burial variation and identity in Anglo-Saxon Norfolk’ which analysed remains from many of the same archaeological sites Wells worked on.

Upon completion the catalogue will be publicly available via the Archives Hub, a national database of archives collections which covers several major UK Higher Education archives and special collections. Archives Hub is keyword searchable, so researchers will be able to search for material by site, date, persons, and, in some cases, pathology. The material can be viewed through the University of Bradford’s Special Collections at the J.B. Priestley Library.

Calvin and Freddie Wells with Vilheim Moller-Christensen, dated to 1962. Image credit: University of Bradford.

If researchers are unable to visit in person there are Reprographics and other services available upon request. Additionally any visual material on vulnerable formats, specifically Calvin’s large slide collection, will be digitised and made available via Special Collection’s digital repository which is currently in the development stage.

TBOM: ‘Putting Flesh on the Bones’ then sounds like it is doing a wonderful service to the work and life of Calvin Wells. Although I’ve been aware of his reputation as a palaeopathologist within the United Kingdom, and his importance in helping to establish the practice, I’m keen to learn of Calvin as an individual.

Having read Waldron’s 2014 review of his life and work in the Journal of Medical Biography, the reader is left with a strong impression of him as a somewhat intense, passionate researcher who, at times, read far too much into the skeletal remains of past individuals. Particularly so in his now notorious and problematic case of identifying rape from the remains of a skeleton identified as female and the graphic contextual details that he goes into, which is not supported by the archaeological or osteological evidence present.

Having worked with, and continuing to develop, the access and availability of both his professional and personal archive, what have your insights into his character been like?

JN:  It’s crucial for archive projects to be impartial in how they open up historical records for research and interpretation. Therefore the ‘Putting Flesh on the Bones’ want to reveal all facets of Calvin’s character, both positive and negative.  Similarly it’s our responsibility to provide historical context alongside the material, in order to bring greater understanding about the time which Wells lived and worked.  As an archivist I can only speak to Calvin’s character as it comes across in the archive material.  There is great deal more to be understood about Calvin’s personality from reading biographies written by friends and colleagues.  In addition to Tony Waldron’s article, I recommend reading Glyn Daniel, Gerald D Hart, Cecil J Hackett, and Keith Manchester and Charlotte Roberts. Some of these articles aren’t readily accessible, and the project will change that.

A shot of Calvin working in the great outdoors, analysing skeletal remains at White Horse Cottage, Norwich. Image credit: University of Bradford.

With the exception of memoirs from his service in the Royal Army Medical Core in WWII, the archive material documents Calvin’s life from 1955 until his death at age 70 in 1978.  This was a particularly eventful time Calvin’s life when he produced the bulk of his research and established his legacy in palaeopathology.  Whilst he didn’t keep a diary as such, Calvin was meticulous in preserving his professional and personal correspondence.  We are fortunate because he often kept copies of his own letters, meaning we can read both parts of conversation.  These letters provide unique insight into Calvin’s character and his relationships with others.

An obvious aspect of Calvin’s personality is that he was a gregarious individual, eager to converse with anybody in his fields of expertise.  As a result of the popularity of ‘Bones, Bodies and Disease’ Calvin received considerable correspondence from academics, researchers and university students.  He was particularly generous with the last group, who wrote to him asking about degree courses, research areas or future career paths.  In these instances Calvin expressed earnest enthusiasm for new scientific and academic endeavours, and in many cases established enduring pen-friendship with young scholars and researchers.  It is interesting to now Google the names of these individuals and to discover that many became top doctors, scientists and even politicians.

Given his privileged background, it might be assumed that Calvin was particular about his correspondents.  However he was pleased to converse with the many strangers who wrote to him following an appearance on national radio or TV.  An ITV profile about Wells’, showing the doctor analyse ancient bones, swinging Anglo-Saxon swords and water-ski, promoted an influx of letters from as far afield as Australia.  This included an enquiry from a Norfolk sheep farmers relating to the location of large churches in rural areas with a low population.  In another letter Calvin politely declines the services of a Welsh dowser who believes he can locate bog bodies in Dersingham Bog.  There are also numerous letters from parents and teachers enquiring about how to get children involved in archaeology and osteology.  In all of these instances Calvin is polite to a fault and comes across as natural educator who cherishes the opportunity to share his intellectual passions with others.

A selection of the human skeletal remains that Calvin helped to document. Many of the skeletal remains that he studied came from sites within Norfolk and the east of England. Image credit: University of Bradford.

Concerning the more negative aspects of Calvin’s character, it’s a shame that a small number of ill-judged interpretations of human remains have come to define him as a person.  It is true that Calvin could be intense and bombastic in expressing his professional and personal opinion.  This is evident in his correspondence with Sonia Chadwick Hawkes, with whom he collaborated on the series of controversial reports on an Anglo-Saxon cemetery in Kings Worthy, Hampshire.  Without hashing out the detail the Ancient Monuments Laboratory – who commissioned Sonia to produce the report on the site – resisted Calvin’s involvement on the project.  This was less to do with Calvin dramatic over-interpretations of remains, and more to with his vocal contempt for a fellow palaeopathologist on the team.  In their correspondence Hawkes pleaded with Calvin to tone his comments down, writing that they are “far too hot and strong for anyone’s but my sympathetic and sympathising eyes and ears”.

Clearly Calvin was at his most hostile when interacting with journal editors or publishers who edited his work without permission or published it with errors or inaccuracies.  In fact Calvin wrote about it in an unpublished article called ‘Editorial Arrogance and Bad Manners’, where he lays into the ‘discourteous tempering’ of journal editors.  It appears that Calvin was extremely intellectually proud and felt he had seniority or ownership over palaeopathology at the time.  This is ironic because accepting some constructive criticism may have softened his language or persuaded him to omit some of the more graphic descriptions which have since left an indelible mark on his scientific bibliography.

Photograph of a slingshot wound on a crania, analysed by Calvin Wells, from ancient Cirencester. Image credit: University of Bradford.

However I think that Calvin’s archive material ultimately shows him to be a diligent and conscientious man, both at work and with friends and family.  I predict that the unlocking the collection will show a more thoughtful, progressive and accomplished Calvin than currently remembered.

TBOM: Calvin’s work has been fundamental in making the field of palaeopathology an integral discipline of study within archaeology itself. Indeed, the identification, diagnosis, and demographic attributes associated with studying both ancient diseases and evidence of trauma associated with archaeological remains allows, researchers to build up a detailed picture of human health over the ages. It also allows us to delve into ancient epidemiology within defined populations, allowing for patterns, observations and human behaviour to be identified and investigated.

However, as you have had prime access to his professional and private correspondence, I’m keen to learn what has become one of your favourite pieces of his research, whether it was his bone reports or articles on the value of human skeletal remains as portals into the past?

Related to this I’m keen to hear what you think drove Calvin Wells, the individual, to go from practising as a GP (general practitioner), from helping to heal and comfort the living, to working solely on the ancient dead, diagnosing signs of trauma and disease processes?

JN:  Being based in the School of Archaeological and Forensic Science alongside researchers and students has given me the opportunity to understand Calvin’s research in manner not immediately clear to an archivist such as myself.  Therefore I recognise the value of those parts of Calvin’s research which will be most useful and beneficial to the collection’s anticipated users – Palaeopathologists, Osteologists and Archaeologists.  In addition to his published reports on skeletal material, many of which are not currently available, the collection holds Calvin’s original research notes, graphs and tables, excavation maps, and photographs, slide and radiographs of skeletal remains.  This raw data will allow the researchers of today to reassess and reinterpret the human remains and archaeological sites initially reported on by Calvin and his colleagues.  With regard to Calvin’s bone work, I don’t have a specific favourite piece of research but rather appreciate the meticulously preserved empirical evidence which gives the archive material contemporary scientific value.

A collection shot of the archives that Calvin Wells left behind, including postcards, books, skeletal reports and photographs. Image credit: University of Bradford.

That being said I do personally enjoy the articles Calvin wrote for more popular publications, such as the Times Literary Supplements, the Reader and the US magazine Horizon.  Additionally Calvin wrote regular columns for the Eastern Daily Press under pseudonym ‘Calliphon’.  These articles show that Wells was just as enthusiastic about discussing current medical issues as he was waxing on about disease and injury in ancient history.  For example in an article from 1957 Calvin outlines the mounting evidence of direct links between tobacco smoking and cancer.  In another he provides medical and moral arguments for embracing the mass polio vaccinations in 1955, about which much of the British public were wary.  Wells also used the column to write biographies of Norwich’s great physicians or wax lyrical about primitive man in East Anglia.  It was a popular feature for which ‘Calliphon’ received a great a considerable amount of fan mail.  Adulation was something Calvin embraced, and it increased as he became more prominent in palaeopathology.

On a surface level it could be argued that Calvin devoted himself full-time to palaeopathology primarily as a means of supplementing his pension whilst pursing his interest in the ancient dead.  However, there is something in the fact that Calvin wanted recognition beyond his work as a regional GP.  It’s clear that the career change opened up a new world for both he and his wife Freddie.  From around the mid-1960s, Calvin started to forge relationships with leading scientists and academics, began lecturing for prominent organisations, and received more opportunities to appear on radio and television.  As a natural showman, Calvin fully embraced the attention and respect that being an international authority on palaeopathology brought him.  This is not to say Calvin was cynically pursuing fame, as he invested a great deal of time and research into every job and appearance.  It is clear that Calvin seemed to be gearing up for a third act in his life before cancer struck unexpectedly.

TBOM: Do you think Calvin Wells would be surprised today that his work and research (and dare I say reputation) still plays such a fundamental component in the British history of palaeopathology? Do you think he would be struck by the diverse and wide-ranging courses available, and by the active number of researchers within the field?

JN:  With regard to how Calvin would feel about the development of palaeopathology, I think he would be awestruck by the methodological and technological developments in the subject.  Most of all I think Calvin would be compelled to revise his belief that only individuals with medical qualifications can practise palaeopathology, particularly when confronted with the scale of advancements made by researchers with backgrounds in physical anthropology, archaeology, medicine, biology, and zoology.  While the discipline has significantly evolved and diversified, I think Calvin would recognise his own passion and dedication present in today’s palaeopathologists.

A shot of Calvin Wells in action, helping to teach schoolchildren in Toronto on the value in studying human skeletal remains. Image credit: University of Bradford.

I was recently speaking with Dr Keith Manchester who remarked on how proud Calvin would be that his work continues to have influence almost two generations later.  Clearly he was conscious about leaving a legacy in palaeopathology, and this is evident in the extent with which the archive collection has been cared for and maintained.  Concerning the more contentious aspects of his legacy I think Calvin would be philosophical, probably following Oscar Wilde’s famous line that ‘the only thing worse in life than being talked about is not being talked about’.

TBOM:  Indeed, I think he’d be glad that his fundamental role within British palaeopathology, and palaeopathology as a discipline within its own right, would continued to be recognised.  Thank you very much for joining me at These Bones of Mine James, and I wish you the best of luck archiving the Calvin Wells collection.

Further Information

  • Visit the Putting Flesh on the Bones project website for further information and frequent updates.  The site is a wealth of information on Calvin’s books, skeletal reports and other aspects of intriguing life and lifelong passion for palaeopathological topics.
  • To visit the Twitter page for the project please follow @PFOTB_project, for the project Instagram page please check it out at puttingfleshonthebones.

Bibliography

Daniel, Glyn. 1978. ‘Calvin Wells Obituary; A Man’s Place in Nature by Glyn Daniel’. From The Times, 5 August 1978. [Available from University of Bradford Special Collections].

Hart, G. 1983. ‘Disease in Ancient Man: An International Symposium’. Toronto, Canada (1983).

Roberts, C. 2012. Calvin Percival Bamfylde Wells (1908-1978). In: The Global History of Paleopathology: Pioneers and Prospects. Edited by Jane Buikstra. New York: Oxford University Press. pp. 141-145.

Waldron, T. 2014. Crooked Timber: The Life of Calvin Wells (1908-1978). Journal of Medical Biography. 22 (2): 82-89. (Open Access).

Wells, C. 1961. Bones, Bodies and Disease. London: Thames & Hudson.

Introducing Polska Antropologia Fizyczna on FB

16 Nov

If you are anything like me, you will have a large pile a books by your bedside either waiting to be read or already partially digested.  And sometimes this dirty habit of reading too much will catch up with you.  At the moment I’ve somehow managed to buy, borrow or otherwise lend a mountain of books that will last me through a cold and dark winter.  I’m not particularly sure why I thought starting five (non-academic) books at once was a good idea!  I’ve recently added one more in the form of Knüsel & Smith’s excellent 2014 The Routledge Handbook of the Bioarchaeology of Human Conflict, a volume I’ve long wanted to read but is frankly too expensive to buy.

A stellar volume of bioarchaeological research for the low, low price of £175.00 in hardback or £142.20 for an ebook version. Image courtesy of Routledge.

Where did I find this fine volume, I hear you ask? Whilst browsing the awesome Polska Antropologia Fizyczna (PAF) Facebook group (don’t tell the publishers though!).  PAF is a group set up by Oskar Nowak, who is an assistant professor at the Institute of Anthropology at Adam Mickiewicz University in Poznan, Poland, dedicated to sharing anthropological research online and to fostering an active research community.  I love browsing this FB group as there are always links to open access articles on a wide variety of research topics, including bioarchaeology and related disciplines (osteoarchaeology, palaeopathology, etc.).  Like a number of FB groups, such as BAJR – UK Archaeology, Palaeopathology and Council for British Archaeology, the PAF are a pretty active community, so it is worth checking out.

But for now, if you need me, I’ll be buried under a pile of books on Scandinavian, Soviet and post-Soviet literature and history!

Bibliography

Knüsel, C.& Smith, M. J. (eds.) 2014. The Routledge Handbook of the Bioarchaeology of Human Conflict. Oxon: Routledge.

Interview with Alexandra Ion: Introducing DivMeanBody & The Post-Mortem Fate of Human Bodies

30 Oct

Alexandra Ion is an osteoarchaeologist and anthropologist who specialises in Neolithic deathways, theory of (osteo)archaeological practice, and the history of anatomical/anthropological body displays.  Alexandra can be found writing about her research and thoughts on her blog at Bodies and Academia, where topics include the anthropology of the body, with specific reference to the ethics and history of body research and the display of the body.  To keep up to date on the DivMeanBody project, and the latest research goings on, check out the project blog.  Alexandra’s research profile can be found here.


These Bones of Mine (TBOM): Hello Alexandra, thank you so much for joining me at These Bones of Mine! We’ve known each other for a while via our own respective blogging sites and I’m always interested to see what you post at Bodies and Academia. However, for those of us who do not know you or your bioarchaeological research, could you tell us a little bit about your background and main research interests?

Guest blog interviewee Alexandra Ion admiring a number of flints. Image credit: Alexandra Ion.

Alexandra Ion (AI):  Hi David, thanks a lot for having me here!  I am trained both as an archaeologist and as an osteoarchaeologist, but along the way I came to be interested in the more reflexive approaches to the material record we encounter.  If I am to summarise, I would say that I am interested in the ethics and history of body research and display, from analyses of past Neolithic death-ways, to reflexive accounts focused on the way in which human remains are turned into an object of study and are enacted as part of the osteoarchaeological and anthropological disciplines (from contemporary excavations, to the history of anatomical/anthropological collections).

I am currently a Marie Curie postdoctoral researcher at the McDonald Institute for Archaeological Research located at the University of Cambridge, and I am also a researcher at the Cultural Anthropology Department of the Institute of Anthropology ‘Francisc I. Rainer’ of the Romanian Academy, so I can say that I am ‘butterflying’ at the cross-road of the two disciplines and perspectives.

TBOM:   It is clear that with the research positions you hold, you are able to produce an interesting perspective on both archaeology and anthropology as separate disciplines that can readily be fed from one into the other productively.

As such, and having myself come from a background where the practicalities of analyzing human skeletal remains was emphasized within an archaeological perspective, I have to ask where your interest in theorizing the human body came from within your academic and research background?

AI:  Not an easy question to answer for sure, but one which definitely goes directly at the heart of my research.  Like any exercise in self-reflection, trying to identify the ‘cause’ of something can sometimes be as accurate as the exercise of piecing back events from memory, but if I am to follow the threads back into my past I think I should start by saying that I have a BA in History.  Thus, from the beginning I have been thinking of archaeological materials as part of broader theoretical/historical processes and questions.

At the same time, I was lucky to meet and learn from a handful of archaeologists who were interested in exploring theoretical avenues, influenced by anthropological, sociological or philosophical works, and who made me question the established paradigm.  The first proper work I did where I combined the two interests was during my MSc in Sheffield, where under the supervision of Prof John Barrett I applied a sociology of scientific knowledge approach to osteoarchaeological practice – in other words, I took scientists dealing with bones as my subjects, and I tried to see what kind of interpretation they construct about past human beings through the questions and methods they follow (and the ethical implications of these practices).

Alexandra demonstrating a research poster with an study skeleton. Image credit: Alexandra Ion.

TBOM:  I think that is a really interesting perspective on the research of the actual process of osteoarchaeology.  Almost, I can imagine, a meta review of humanity reviewing itself using a standardised methodology.  In that first piece of research for your Masters, what conclusions were you able to draw with regards to this, and how has it subsequently informed your following research?

AI:  I am not sure if I could draw a straightforward conclusion after that, rather it was my intention to highlight the networks in which human remains are integrated, and following sociologist Bruno Latour, the actors which take part in shaping our understanding of them – from instruments and methods, to spaces and world-views.  I think my main aim was to bring into view how our bones analysis are the product of a series of choices (what to study, why, how), and that maybe if we chose differently, then our reading of the past were different.  Liminal case studies are perhaps the best/easiest to use as illustrations of more reflexive points such as this, and I am thinking here of a piece which has recently came out in Archaeological Dialogues in which I was trying to see what happens when the standardised osteological understanding of an individual meets in the field a completely different take on humanity – in this case, that of a Church.

Namely, I’ve been looking at how the two ways of ‘decoding’ some human remains met on the territory of one body belonging to a Greek-Catholic Romanian Bishop killed during the 1950s in a communist prison.  While for the Church, the body was seen as a sign of martyrdom, a site of embodied experiences which tied it to the community of believers, past to the present, the scientific approach applied a universal and standard methodology, whose language did not leave room for an understanding of the particulars of his situation.  Once the scientist steps out of the ‘laboratory’ and goes into the field (regardless how we define that), their world-view is confronted and challenged by complex networks of actors, each with their own agendas and interpretation of what those bodies are/should be – and this can start some interesting points for reflection.

TBOM:  That particular case study that you’ve recently published is a great example of examining the cultural and social differences as documented in testimonies, texts and historical records, compared to the strict osteological interpretation of the Bishop’s body, and associated burial context, within a fraught historic period.  It is also a period that is very well documented compared to the archaeological record as a whole.  

As such I’m wondering how you can use your approach to the skeletal remains of individuals, or populations, from prehistoric contexts where documentation is either non-existent or enigmatic in nature, i.e. structural remains that are of unknown function or use?

AI:  I think this is the challenge indeed!  Recently I took part in the Cambridge Science Festival and I have received the same question from members of the public, under various guises: what do you do with these human remains?  Of course the first level of analysis involves sexing, ageing, identifying pathologies, traumas etc. on the human remains, with the goal of piecing together their (post-mortem) biography.  However, I think that we need to go beyond the data encoded in the materiality of bodies, and think of them in the wider context of their deposition/discovery.

Of course there is not a single/simple answer to how to go about this, but ultimately it is a question of scaling: finding the right (useful) balance between the singular case study and the wider population data, between the human remains and their context, between a site and the wider cultural patterns.  Anthropology, history and even philosophy of science might provide inspiration when reaching a dead-end, leading to new questions for old materials.  Ultimately, I think one also has to accept the limits of what we can do with certain kinds of discoveries, due to the fragmentary and heterogeneous nature of the material.

TBOM:  I’m really excited by the announcement recently of your latest project, DivMeanBody, based at the McDonald Institute for Archaeological Research at the University of Cambridge, which will investigate the construction of the prehistoric body and identity from Neolithic settlements (7th-4th millennia BC), from around the Balkans area of southern Europe.

What is the focus area of the study, along with the bioarchaeological material, that you’ll be studying specifically?  As we’ve discussed above, I’m really keen to see how you fuse together the biological data from the human skeletal remains with the cultural material of ancient societies, in order to explore the meaning and use of the human body within funerary practices during the Neolithic period.

AI:  My research is designed as an exploration in the construction of the prehistoric body and identity, by studying the post-mortem fate of human remains discovered in Neolithic settlements in the Balkan area (between 7th-5th millennia BC).  These settlements have yielded collections of disarticulated/fragmentary/scattered human remains.  Traditionally such human remains have been either a focus of osteological studies, looking at them in a biological dimension, or subjected to cultural analysis.  My project aims at taking a multi-disciplinary comparative perspective, at the cross-road of archaeology and osteology, towards the re-interpretation of such deposits from a taphonomic perspective to answer the question of whether these are deliberate depositions or more complex, including non-cultural processes, might explain this fragmentation.

The DivMeanBody blogging page, check out the University of Cambridge project website page here. Image credit: Alexandra Ion.

Given its broad time span, apparent uniformity on a large geographical area and across multiple prehistoric cultures (from southern Romania to northern Greece), studying this depositional practice is key to understanding the context which shaped the beginnings of settlements, agriculture and the Neolithic way of life in Europe.  Thus, I hope to better understand how these past people were performing and dealing with the dynamic processes of life and death in their communities and the relation of these practices to the formation of archaeological deposits.  At the same time, it will surpass the divide present in contemporary research between a biological body (studied by osteology) and a cultural body (by archaeology).

The materials I will be looking at are of three types: skeletal materials who have already been excavated, old archaeological reports/photographs, and archaeological/osteological publications.  Of course the access to all these kinds of data is not even, especially when it involves researches from three countries (Greece, Bulgaria, and Romania)- either some of the materials are not available any more (lost, or not available for study), or the initial documentation is not present, so the bones have no context.  Beyond an interaction with these past bodies, the project turns out to be also a trip down memory lane, an archaeological investigation into storage areas, publications and academic networks.

TBOM: I’m looking forward to reading some of the outcomes of your research, so I’ll be sure to keep an eye on the dedicated website that you have for the project.

The geographic and population focus of the majority of your research has largely been in eastern and southern Europe, covering anthropological topics and the curation of historic and prehistoric human osteological collections, such as the Bucharest-based Francisc. I Rainer Anthropological Research Center, Romania, which houses one of the largest human osteological collections in Europe.  With your experience of academic work and associated field experience across a number of countries, I’m intrigued as to your views on how anthropology and osteoarchaeology is taught and if you have experienced any differing approaches in their application?

AI:  This is an important question indeed, thank you, one which I think should be more often discussed!  I am not sure though if I am the best person to answer it, as I have no extensive experience with how osteoarchaeology is being formally taught throughout the world – besides my MSc in Human Osteology and Funerary Archaeology I am mostly self-taught/ I’ve been taught the basis of osteology by my colleagues at the Institute.  In an indirect way, my answer speaks about the academic situation of the discipline in my country, and the absence of a formal qualification.  Even in the United Kingdom, there are not that many programmes offering osteology training, and even less a combined degree (with funerary archaeology)- I recall you made a list a while ago.

Furthermore, when it comes to the interest in the history of body collections and the ethics and politics of human remains research and display there does not seem to be a specific path for training either, and those interested, like myself, seem to come from various backgrounds (e.g. I have a PhD in History, Elizabeth Hallam in Social Anthropology, Tiffany Jenkins in sociology, while Liv Nilsson Stutz and Duncan Sayer have one in archaeology – and this is just to name a few; others come from the world of pathology, forensic anthropology or philosophy).  Due to this fluid nature of the discipline, each of these specialists brings their own questions and perspective on things, which in a way is just a reflection of the multi-faceted nature of the topics explored.

But if you ask me about the specific osteoarchaeological training, the only broad remarks I can make are that I have noticed that in France these studies are sometimes more closely connected to pathology and taphonomy than in other places, that there is a difference between seeing osteoarchaeology as part of a historical discipline (like in my academic background) versus seeing it as a biological science (as I’ve often encountered it in UK settings), or as part of cultural anthropological concerns (as is the case in the USA).  Of course these are very rough generalisations, but I think what is certain is that there is not just one osteoarchaeology, and would be interesting to talk more about how various traditions define the concept (even a quick glance at the names which are used in various places is indicative of the heterogeneity of practices- from bioarchaeology to archeothanatology or osteology).

TBOM:  Your observations seem to collate with my own experience of both osteoarchaeology and bioarchaeology, alongside their related fields, in other countries.  Particularly so as to where osteology fits within its confines in an archaeological or anthropological setting.  I sometimes wonder if this acts as an almost linguistic straight-jacket on respective researchers who are confined within their narrow field of study, as espoused by their department or traditional approach within their country of research.

Returning again to your new project, DivMeanBody, how did you come to focus on the Neolithic period of south-eastern Europe?

AI: Indeed, I share you concerns regarding ‘a linguistic straight-jacket’, though I would rather call it an epistemological straight-jacket.  In the same time, I think that what we witness – the cohabitation of multiple archaeologies (some taking very hard sciences approaches, while at the other end of the spectrum we have postmodern narratives and even performances – a colleague mentioned of a dance ‘presentation’ he witnessed in a conference panel) – should prompt some reflection and dialogue in respect to the kinds of basic principles that we share/should share.

But returning to your question, I think this was, like many other decisions in research, a serendipitous encounter.  Quite early in my undergrad (and even before that) I was fascinated by the Neolithic period, especially by the Vadastra pottery.  The black polished pots, decorated through deep incisions filled with white paste, and with helix or geometrical models are extremely elegant and special, and they definitely drew me in to deep time.  For a couple of years, I have also been to two different tells in southern Romania, and then it came the moment of choosing a topic for my BA thesis.  At first, I had been offered the opportunity of publishing the pottery from a late Neolithic site, but as I soon discovered I did not get too excited about drawing pot shards on millimetre paper.

An anthropomorphic vessel made of fired clay, Vădastra, Vădastra, 5500-5000 BC. National History Museum of Romania, Bucharest: 15908. Image credit: Marius Amarie, New York Times.

By this time, I was already working at the Institute of Anthropology, and one day when I was sitting at my desk by the skull shelves my colleague Andrei Soficaru popped in and said: ‘Why don’t you study the human remains from Neolithic settlements in Romania for your thesis?’.  That was to be my topic for my first Master thesis as well, and it stayed with me even when I moved more into the theoretical aspects.  Thus, when I had to choose a topic for this postdoc I went back to what I knew, and to what I have left ‘unresolved’ in a way, the interpretation of human remains discoveries from settlements from Southern Romania; then extending the area to the Balkans made sense, as in the Neolithic times this area would have shared many cultural commonalities.

TBOM: Thank you very much for joining me today Alexandra, it has been a pleasure to talk to you. and good luck with your DivMeanBody project!

At These Bones of Mine we’ll definitely be keeping a look out as to how the project develops.  I’m sure that my readers would be interested in hearing about the results as well.

AI:  Thank you David for a wonderful opportunity to talk about some of my work!

Further Information

  • You can check out Alexandra’s personal blog, entitled Bodies and Academia, which features a great range of thought-provoking and interesting posts on osteoarchaeology and anthropology.  Alternatively, for bite-sized chunks, check out Alexandra’s Bodies and Academia Twitter page here.
  • For all of the latest updates on the DivMeanBody project check out the website home page here.

Bibliography

Ion, A., Soficaru, A., & Miritoiu, N. 2009. Dismembered Human Remains from the ‘Neolithic’ Cârcea Site (Romania). Studii de Preistorie6: 47 – 79.

Dobos, C. & Ion, A. (eds.) 2015. Bodies/Matter: Narratives of Corporeality. Special Volume of Martor -The Museum of the Romanian Peasant Anthropology Review. 20. Bucharest: Martor. (Open Access).

Ion A. 2015. Breaking Down the Body and Putting it Back: Displaying Knowledge in the ‘Francisc I. Rainer’ Anthropological Collection. Martor – The Museum of the Romanian Peasant Anthropology Review20: 25-50. (Open Access).

Ion, A. 2016. The Body of the Martyr. Between an Archival Exercise and the Recovery of his Suffering. The need for a Recovery of Humanity in OsteoarchaeologyArchaeological Dialogues. 23 (2): 158–174. doi: 10.1017/S1380203816000209.

Ion, A. 2017. And then they were Bodies: Medieval Royalties, from DNA Analysis to a Nation’s Identity, in Premodern Rulership and Contemporary Political Power. The King’s Body Never Dies, (eds.) Karolina Mroziewicz, Aleksander Sroczyński, 217-237. Amsterdam: Amsterdam University Press.