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Archaeology at the University of Sheffield Under Threat

20 May

There is much to say and much too little time to say it all in, so let me cut to the quick – the world-class archaeology department at the University of Sheffield is at risk of closure and the staff at risk of redundancy. The results of a recent departmental review by the University of Sheffield is due Tuesday 25th May, along with a vote by the University Executive Board on the future of the department.

I found this out last night as a friend alerted me to the following screenshot:

I was guided also to the Save Sheffield Archaeology, which has further details on the departmental review and the importance of the archaeology department to the city and the academic community internationally. Most importantly it is the jobs that are at risk – the academic, postdocs, researchers and administrative staff, who all potentially face the risk of redundancy. As far as I currently understand the department itself is still fragmented physically as both lectures and staff are based across the University of Sheffield departments as the archaeology building itself is (or has been) undergoing much-needed structural repairs. Despite this, and the ongoing Covid-19 pandemic, teaching and research have still continued and student support has still been given.

You can help by reading the links below, searching out what other people and saying and what Saving Sheffield Archaeology are advising. If you are an archaeologist or know the department in any way – used to work there, studied there, are affiliated with it in any way, etc. – and are concerned for its future as I am, then please do sign the Change.org petition, email the VC and the University Executive Board, and make your voice known.

The decision on the future of the archaeology department at the University of Sheffield will be made on Tuesday 25th May. Stay tuned.

Bigger Issues

Readers of my blog will know that I attended the University of Sheffield in 2011-12 to study for my MSc in Human Osteology and Funerary Archaeology and reveled in the teaching, research and personal development opportunities that the course offered. I have friends who have studied there since and remain affiliated with the department. I am worried, I am concerned, and I will be writing to the VC and the University Executive Board with my concerns at their reviews and the three stated options available to it. I am deeply concerned at what appears to be an unforced and perhaps manufactured issue in staffing (not replacing retiring staff, which has seen current teaching staff drop from 29 to 11) and the longer-term trends of higher education being pulled in two different directions – between the demands of the market and the demands of providing, and supplying, quality education for all and the benefits of this for society and the economy. A third pressure has also made itself know in recent years at the United Kingdom of Great Britain and Northern Ireland wrestles control with its own myriad of identities.

HM Government have recently announced that it is considering cutting high-cost teaching supplement for undergraduate arts and archaeology courses by up to 50% in favour of more funding for STEM subjects, this along with the Government’s stated aim of simplifying planning permissions to encourage house building and infrastructure projects, puts archaeology and the archaeological record at possible risk as statutory consents are sidelined. Conversely the archaeology jobs sector has rarely been busier, with many major projects ongoing utilizing a range of archaeological specialisms, from drone operators to archaeological geomatics, from field staff to human osteologists, etc. One only needs to think of HS2 or Crossrail or road infrastructures projects in eastern England to think of how many archaeologists are currently employed in varying roles and positions. In fact archaeologists are on the Skilled Worker visa: shortage occupations for April 2021, the only social and humanities scientists category to make it.

It is a worrying time for ease of access to archaeological courses in higher education, as tuition fees remain high and are climbing for postgraduate study and research. One effect of Brexit is the annulment of EU fees category remaining the same as home fees for students and instead becoming aligned with international fees. This has a severe impact for those nearest and dearest European neighbours. For instance the 2021 MSc in Human Osteology and Funerary Archaeology tuition fee at the University of Sheffield is now priced at £11,000 for home students and £23,250 for overseas students. This is a staggering sum for higher education and one well out of the reach for many. I raise this point as archaeology in particular has a strong pull for bringing together international students and researchers, and Sheffield’s department is well known for its ties across Europe and the wider world. Fees such as this are just one more barrier to cross.

Archaeology as a topic unto itself is broad, welcoming and diverse – whoever and wherever you are, you too came from somewhere and within that is the story of ultimately both your past and mine. Archaeology is the investigation into the great human story and the department at Sheffield is one such place where we can view it. How sad it would be to see a portal on the past close.

How to Help

Housekeeping Notes: Blog Address

11 May

It has been nearly a year since I last updated the blog with a post and it has been quiet on the site generally for the past two years.  Partly this has been a choice as I have become more involved with my current role and due to other personal reasons.  One of the main reasons though was the feeling of disenchantment I felt with the outcome of a blog change that I had made – if you would pardon me an indulgent housekeeping blog, I’ll explain below. 

A Note on the Blog Address

Back in March 2019 I decided to update the blog’s address by upgrading my WordPress website package and moving the site to a .com address and to also allow advertising that could be monetised.  I’d been blogging for 8 years by that point (since March 2011 in fact) and I was confident that the daily number of views/hits and subscribers could lead to some minor earning potential.  As noted previously, writing a blog can take a significant chunk of time out of your week when having to research potential topics, produce posts, edit posts, and contacting guest bloggers to develop ideas and future posts together.  Editing and blog organisation are also ongoing background tasks undertaken to ensure that certain style (grammar/layout) or standards (bibliographic, etc.) are met, and previous entries cleaned up and re-edited as necessary.  So I thought using the automated ads feature provided in the upgrade package could be a good way to recuperate that cost, as represented by my time investment and labour.

I was quite prepared for it to be a meager sum having researched online for what to expect as there was little information on the WordPress/Ad company site as to how much exactly the company pay and how the algorithm decided how much they pay (whether by ad impressions/views/interactivity, etc.).  What I was not quite prepared for though was the dramatic daily drop in the number of daily blog visitors/views, despite carrying out every precaution to ensure a smooth transition between the WordPress.com address to a .com one as advised.

The weekly figures for weekly views clearly shows the impact of upgrading the site from March 2019 and how suppressed the views have been since then. The latest full month is for December 2020, with a total of 2,816 views and 1,969 visitors. By comparison the highest blue bar on the left represents October 2018 with 25,057 views (and a lower number of visitors in darker blue). The pattern continues today since changing it back, but should change with regular blogging. Click to enlarge the image.

I took a few looks over the initial months following the change in blog address and saw no obvious reason as to why the sustained drop in views/visitors should be happening and I contacted the company.  Despite going on to contact WordPress a number of times regarding the sustained drop, and being reassured it would recover within a few weeks each time I contacted them (and that gap lengthening each time I asked), I never quite received a clear answer as to why my site was receiving substantially less views.  This frustrated me and after the eighth attempt at explaining the drop and trying to elicit a clear answer I stopped as it was clear no answer would be forthcoming.

Of course the income from the ads monetisation was non-existent and I never met the bar set to have any money ever transferred (you have to ‘earn’ $100 before any money is transferred – I am/was currently at less than 10% of that).  After a number of months I turned off the ads from the site in minor disgust at both the adverts themselves and the pitiful sum raised (and which I couldn’t access anyway).  I hate to admit it but over the past year and a half I have become less enamoured of logging onto the site as I became demotivated from seeing that the views had dropped by up to 80% of previous years.  Ultimately I largely stopped producing posts as other issues became more important in my life.  And the world fundamentally changed with the advent of Covid-19.

An evergreen favourite cartoon – the perils of a blog as a time sink and the clash of real life. On a side note I highly recommend helping to crowdfund Mr Lovenstein’s new book. Image source: Mr Lovenstein.

However, there is a plus side to this – I think it reinforced in my own mind the reasons for starting the blog in the first place.  It wasn’t as a place to earn money (though frankly that would be quite nice, it isn’t essential thankfully), and really I get out of it what I put into the site itself.  Thinking long term, I would rather this site remained accessible and readable rather than it disappear following a missed payment for a .com address.  As such I recently changed my blog address back to thesebonesofmine.wordpress.com and hopefully it should stay that way as I am not renewing the upgraded package.

Granted, this has been a bit of a boring entry but I thought it was best to let readers know that I am still active and that I still will be producing posts for this site at some point in the very near future.  I’m still passionate about human osteology and the intricate details kept within our skeletal system, and the value of archaeology as humanity’s combined story.  In fact there are over 12 draft blogging entries in varying states of readiness, but as an old joke goes I could never quite match how productive one Robert M Chapple is, despite his protestations to the opposite!  So if you need an archaeology fix before These Bones of Mine’s next update, why not head over to Robert’s site and discover a great archaeological blogger? 

Housekeeping Notes: A Change in Address & Ads

10 Mar

Regular readers of this blog may notice that the site has recently undergone a few changes regarding the URL and advertising on the blog.  I originally started this blog as a bit of an experiment back in 2011 (!) to document my growing interest in human osteology and bioarchaeology using the free WordPress.com blogging platform and as my site grew and became more uniform with the introduction of the Skeletal Series, guest posts and interviews, it also became much more time-consuming to produce and edit content.  Still I was quite happy to do this and thoroughly believed that academic, or at least academic-leaning, blogs should try to avoid being commercialised if possible and I resisted the siren call of monetising the site.

Long-term readers will note that the blog post output rate has slowed somewhat dramatically in the past few years due to time constraints (such as employment, volunteer work, or other such activities).  I still maintain this site as an active one as I continue producing posts, helping to advertise opportunities for students and for MSc/MA courses in human osteology in  the United Kingdom  (1), and by answering emails and comments, etc.  Everyone now and again I also edit old entries.  However, my thoughts on upgrading the blog also changed as I thought a bit more about the future of the blog, of how I want it to be accessed and what would be good for its long-term future.

The perils of a blog as a time sink. Reproduced with permission from Mr. Lovenstein. Image source: Mr Lovenstein.

I’ve been quite loathe to change the appearance of the blog since settling on a style that I found workable and that highlighted the various aims and topics discussed within the blog (as seen by the triptych of images that forms the blog banner).  It isn’t aging too well and I think a change is probably due in that direction, perhaps with a neater, more simplistic and easier-to-read design.  The blog itself is highly searchable with numerous categories and tags produced for each post, however there are some features that could do with an upgrade or a change-around at least.  The RSS sub-page could do with deleting as it hasn’t worked for years and the WordPress blog menu has so far baffled me as to how to remove it (2).  Apologies for all of those readers who have clicked on it to only find scrambled code instead!

As well as the change in the domain name, readers may also notice a number of advertisements on the blog itself.  WordPress.com had initially inserted ads into the blog as per their funding model to generate income, like most media and social media companies on the web.  Since the plan upgrade I have decided to try to monetise the blog in order to raise pocket-money revenue from the operating of this site.  This is partly in recompense for the amount of time maintaining the site – time spent either researching, writing, or editing the blog entries, or for the administration side of the blog replying to emails and building relationships with other bloggers.  (Don’t laugh at the editing part!).

For a long time I was against the idea of monetisation in principle on a generally academic and educational blog, since most of my peers (such as Jess Beck’s Bone Broke, Kristina Killgrove’s Powered By Osteons and Alexandra Ion’s Bodies and Academia) do not advertise on their sites, as far as I am aware.  In fact that trio of sites look remarkably clean, easy to navigate and remain a pleasure to read.  Do I feel bad about putting a trio of adverts on my blog, which may affect the reader’s attention?  Yes I do.  Do I also need to pay rent, need to eat and drink, and have to pay for fuel so enable me to get to my current job?  Yes I do.  Could I also be working the time I spend updating, editing and working on this blog?  Again, yes I could be.

Hidden from the world: the secret panel on the above comic. Reproduced with permission from Mr. Lovenstein. Image source: Mr Lovenstein.

So am I now rolling in the money since I started to monetise the site?  No I am not.  In fact it is bringing in less than I had hoped it would and due to WordPress not paying out until you reach $100, I may not receive a single cent for a good while yet.  If any readers have any questions regarding the changes in the blog, I’d be happy to answer them either below in the comments box or via email (see the About the Author tab for the address).

Fundamentally I am hoping that this series of blog changes for These Bones of Mine invigorates me to write more.

Looking for Guest Posts and Interviewees

Whilst I’m quickly updating the blog and taking a look through previous posts and blog statistics, I notice I have not had a guest post or an interview entry on the blog in quite some time.  I’m hoping to rectify this within the next few months by reaching out to friends and colleagues, and likely also on the British Archaeological Jobs and Resources  Facebook page.  I do have a guest post set of guidelines for prospective guest post bloggers to read in order to match the ‘house style’ of this blog and I am selective of what I consider suitable for this site, though there is a wide range of topics I’d consider and that I am actively looking for.  I am always interested in hearing from commercial field archaeologists and osteoarchaeologists, as well as early career researchers and specialists in palaeopathology, funerary archaeology, osteoarchaeology and bioarchaeology.  I’m particularly keen on another set of interviews as I find that interviews allow for a deeper and personal reflection on what it is actually like working within this sector and how individuals have gotten into this area in the first place and what continues drives them or drive them out of it.

So if you have an ongoing project, a unique perspective, or a new bioarchaeological methodology or theory that needs a helping hand please do get in touch and let me know!  To all of my previous interviewees and guest bloggers, you are very much welcome back as updates on projects, careers, and perspectives are always welcome.

We are living through an interesting period in which our understanding of the Western world post-Second World War is fundamentally changing and the great game of diplomatic and trade agreements, alongside our economic ties, are being reshaped for the 21st century.  Is this filtering through to the sector?  Are the commercial conditions changing and are our perceptions of how we interpret the past changing?  This is an area I am keen to delve into and to hear your views, from the ground up.

Notes

(1).  The latest entry in the available postgraduate MSc/MA courses in human osteology in the United Kingdom dates from March 2018 and could do with a 2019 update.  Expect to see that within the next month or so.  The expansion of such courses in the UK continue, with a professional accreditation/commercial experience module now added in.  This is a step in the right direction, but the glut of human osteology postgraduates often find meager commercial opportunities for employment in current market conditions in the country.

(2).  Update 10/03/2019 – It took me 5 seconds of looking at a menu to find the click button.  It has now been removed.

Guest Interview: Putting Flesh on the Bones with James Neill

19 Dec

James Neill is a Project Archivist working on the Putting Flesh on the Bones project at the University of Bradford. Prior to this project James worked for a diverse range of arts, heritage and higher education organisations, including London Metropolitan Archives, the Mercers’ Company and the University of Arts London. As an archivist James has worked on a broad range of collections, from medieval manuscripts created by the Estate of Sir Richard Whittington to counter-cultural US comic books of the 1960s. His primary professional focus is working with archive collections with real historical, cultural or organisational value.


These Bones of Mine (TBOM):  Hello James, thank you for joining me here at These Bones of Mine! I have to say I am pretty excited to talk about your new project, entitled ‘Putting Flesh on the Bones’, which is based at the University of Bradford.  Could you tell us a little bit about the project and your role within it?

James Neill (JN):  Thanks David.  The ‘Putting Flesh on the Bones’ is an 18 month-long project which aims to catalogue, digitise and promote the archive collection of renowned palaeopathologist Calvin Wells (1908-1978).  The majority of the collection relates to Calvin’s distinguished palaeopathology career, but also reflects his many other intriguing professional and personal endeavours.  After his death Calvin’s archive of research papers, correspondence, photographs and transparencies, radiographs, and audio-visual material came to Bradford under the management of his friend and colleague Dr Keith Manchester.  This includes Calvin’s unique library of rare and antiquarian books on medicine, archaeology and anthropology.

The British palaeopathologist Calvin Wells examining a human crania. Image credit: University of Bradford.

When the collection arrived at Bradford it was divided between two different departments, with the palaeopathology material going to the Biological Anthropology Research Centre (B.A.R.C.), and his books and more personal ephemera being held by Special Collections at the J.B. Priestley Library.  This physical split as well as lack of comprehensive understanding about the contents of the collection limited its accessibility for potential users. Moreover many items, particularly the transparencies and audio-visual material, are vulnerable to deterioration and in need of professional conservation.

These factors motived B.A.R.C. Collections Manager Dr Jo Buckberry and Special Collections Librarian Alison Cullingford to bid in 2016 for a Wellcome Trust Research Resources Grant.  The purpose of the grant is to improve access to health-related library and archive collections, and is a substantial boon for archive projects across the U.K. Fortunately Jo and Alison were successful in their application and the ‘Putting Flesh on the Bones’ project was awarded a grant of almost £140,000.

We’re very fortunate because the grant has allowed us to afford a team of specialists, including a project archivist, osteologist, conservator and placement student.  As the project archivist my role is oversee each part of the cataloguing and digitisation process, as well as manage and organise all promotional aspects of the project through online and outreach activities.  Ultimately I am responsible for ensuring the collection’s potential for scientific and historical research is fulfilled by making it more accessible and known to relevant audiences as well the wider public.

TBOM:  Having been a longtime itinerant visitor to the University of Bradford, and its Department of Archaeological Sciences, I’ve always been intrigued by the fundamental role the department has played in establishing human osteology and palaeopathology as archaeological-based disciplines within Britain and internationally.  However, the university itself was the recipient of Calvin Wells physical archive rather than the base of his work. 

As such I’m intrigued by the relationship between the man and his archive.  How, and by what methods, are you making the numerous research articles, monographs, and review publications available to current researches?

JN:  Bradford’s role in developing palaeopathology teaching and research on an international level is central to the Calvin Wells Archive story.  It was Calvin’s wish that the collection be held in trust by the Wellcome Library with the intention of ultimate donation to a University offering a course in Palaeopathology to degree level.  With the introduction of the MSc Course in Osteology, Palaeopathology and Funerary Archaeology at Bradford, Calvin’s wife Freddie released the collection to the Department of Archaeological Sciences.

A collection of slides that were left behind in the archive, a very useful and durable form of documentation. Image credit: University of Bradford.

Whilst the collection is yet to be fully catalogued we’re confident that the archive holds the vast majority of Calvin’s published and unpublished skeletal research and reports.  This includes additional material, such as photographs, handwritten notes, annotated typescripts, and related correspondence.  For the first time, all of Calvin’s research will be available from one resource.  A central reason why the Wellcome Trust funded the project was our ability to demonstrate the continued interest and demand for Calvin’s work.  An analysis by Bradford’s Subject Librarian for Archaeology and Forensics Sarah George demonstrated that in the 40 years since his death, citations of his work have risen year on year.

The intention of the ‘Putting Flesh on the Bones’ project is to unlock the collection for potential researchers by producing a comprehensive catalogue of its contents. Our team Osteologist Michelle Williams-Ward is focused on parts of the collection which require specialist descriptions, such as Wells’ skeletal reports and associated photographic material. Michelle is uniquely placed for this role given that she has just completed a PhD thesis ‘Buried Identities: An osteological and archaeological analysis of burial variation and identity in Anglo-Saxon Norfolk’ which analysed remains from many of the same archaeological sites Wells worked on.

Upon completion the catalogue will be publicly available via the Archives Hub, a national database of archives collections which covers several major UK Higher Education archives and special collections. Archives Hub is keyword searchable, so researchers will be able to search for material by site, date, persons, and, in some cases, pathology. The material can be viewed through the University of Bradford’s Special Collections at the J.B. Priestley Library.

Calvin and Freddie Wells with Vilheim Moller-Christensen, dated to 1962. Image credit: University of Bradford.

If researchers are unable to visit in person there are Reprographics and other services available upon request. Additionally any visual material on vulnerable formats, specifically Calvin’s large slide collection, will be digitised and made available via Special Collection’s digital repository which is currently in the development stage.

TBOM: ‘Putting Flesh on the Bones’ then sounds like it is doing a wonderful service to the work and life of Calvin Wells. Although I’ve been aware of his reputation as a palaeopathologist within the United Kingdom, and his importance in helping to establish the practice, I’m keen to learn of Calvin as an individual.

Having read Waldron’s 2014 review of his life and work in the Journal of Medical Biography, the reader is left with a strong impression of him as a somewhat intense, passionate researcher who, at times, read far too much into the skeletal remains of past individuals. Particularly so in his now notorious and problematic case of identifying rape from the remains of a skeleton identified as female and the graphic contextual details that he goes into, which is not supported by the archaeological or osteological evidence present.

Having worked with, and continuing to develop, the access and availability of both his professional and personal archive, what have your insights into his character been like?

JN:  It’s crucial for archive projects to be impartial in how they open up historical records for research and interpretation. Therefore the ‘Putting Flesh on the Bones’ want to reveal all facets of Calvin’s character, both positive and negative.  Similarly it’s our responsibility to provide historical context alongside the material, in order to bring greater understanding about the time which Wells lived and worked.  As an archivist I can only speak to Calvin’s character as it comes across in the archive material.  There is great deal more to be understood about Calvin’s personality from reading biographies written by friends and colleagues.  In addition to Tony Waldron’s article, I recommend reading Glyn Daniel, Gerald D Hart, Cecil J Hackett, and Keith Manchester and Charlotte Roberts. Some of these articles aren’t readily accessible, and the project will change that.

A shot of Calvin working in the great outdoors, analysing skeletal remains at White Horse Cottage, Norwich. Image credit: University of Bradford.

With the exception of memoirs from his service in the Royal Army Medical Core in WWII, the archive material documents Calvin’s life from 1955 until his death at age 70 in 1978.  This was a particularly eventful time Calvin’s life when he produced the bulk of his research and established his legacy in palaeopathology.  Whilst he didn’t keep a diary as such, Calvin was meticulous in preserving his professional and personal correspondence.  We are fortunate because he often kept copies of his own letters, meaning we can read both parts of conversation.  These letters provide unique insight into Calvin’s character and his relationships with others.

An obvious aspect of Calvin’s personality is that he was a gregarious individual, eager to converse with anybody in his fields of expertise.  As a result of the popularity of ‘Bones, Bodies and Disease’ Calvin received considerable correspondence from academics, researchers and university students.  He was particularly generous with the last group, who wrote to him asking about degree courses, research areas or future career paths.  In these instances Calvin expressed earnest enthusiasm for new scientific and academic endeavours, and in many cases established enduring pen-friendship with young scholars and researchers.  It is interesting to now Google the names of these individuals and to discover that many became top doctors, scientists and even politicians.

Given his privileged background, it might be assumed that Calvin was particular about his correspondents.  However he was pleased to converse with the many strangers who wrote to him following an appearance on national radio or TV.  An ITV profile about Wells’, showing the doctor analyse ancient bones, swinging Anglo-Saxon swords and water-ski, promoted an influx of letters from as far afield as Australia.  This included an enquiry from a Norfolk sheep farmers relating to the location of large churches in rural areas with a low population.  In another letter Calvin politely declines the services of a Welsh dowser who believes he can locate bog bodies in Dersingham Bog.  There are also numerous letters from parents and teachers enquiring about how to get children involved in archaeology and osteology.  In all of these instances Calvin is polite to a fault and comes across as natural educator who cherishes the opportunity to share his intellectual passions with others.

A selection of the human skeletal remains that Calvin helped to document. Many of the skeletal remains that he studied came from sites within Norfolk and the east of England. Image credit: University of Bradford.

Concerning the more negative aspects of Calvin’s character, it’s a shame that a small number of ill-judged interpretations of human remains have come to define him as a person.  It is true that Calvin could be intense and bombastic in expressing his professional and personal opinion.  This is evident in his correspondence with Sonia Chadwick Hawkes, with whom he collaborated on the series of controversial reports on an Anglo-Saxon cemetery in Kings Worthy, Hampshire.  Without hashing out the detail the Ancient Monuments Laboratory – who commissioned Sonia to produce the report on the site – resisted Calvin’s involvement on the project.  This was less to do with Calvin dramatic over-interpretations of remains, and more to with his vocal contempt for a fellow palaeopathologist on the team.  In their correspondence Hawkes pleaded with Calvin to tone his comments down, writing that they are “far too hot and strong for anyone’s but my sympathetic and sympathising eyes and ears”.

Clearly Calvin was at his most hostile when interacting with journal editors or publishers who edited his work without permission or published it with errors or inaccuracies.  In fact Calvin wrote about it in an unpublished article called ‘Editorial Arrogance and Bad Manners’, where he lays into the ‘discourteous tempering’ of journal editors.  It appears that Calvin was extremely intellectually proud and felt he had seniority or ownership over palaeopathology at the time.  This is ironic because accepting some constructive criticism may have softened his language or persuaded him to omit some of the more graphic descriptions which have since left an indelible mark on his scientific bibliography.

Photograph of a slingshot wound on a crania, analysed by Calvin Wells, from ancient Cirencester. Image credit: University of Bradford.

However I think that Calvin’s archive material ultimately shows him to be a diligent and conscientious man, both at work and with friends and family.  I predict that the unlocking the collection will show a more thoughtful, progressive and accomplished Calvin than currently remembered.

TBOM: Calvin’s work has been fundamental in making the field of palaeopathology an integral discipline of study within archaeology itself. Indeed, the identification, diagnosis, and demographic attributes associated with studying both ancient diseases and evidence of trauma associated with archaeological remains allows, researchers to build up a detailed picture of human health over the ages. It also allows us to delve into ancient epidemiology within defined populations, allowing for patterns, observations and human behaviour to be identified and investigated.

However, as you have had prime access to his professional and private correspondence, I’m keen to learn what has become one of your favourite pieces of his research, whether it was his bone reports or articles on the value of human skeletal remains as portals into the past?

Related to this I’m keen to hear what you think drove Calvin Wells, the individual, to go from practising as a GP (general practitioner), from helping to heal and comfort the living, to working solely on the ancient dead, diagnosing signs of trauma and disease processes?

JN:  Being based in the School of Archaeological and Forensic Science alongside researchers and students has given me the opportunity to understand Calvin’s research in manner not immediately clear to an archivist such as myself.  Therefore I recognise the value of those parts of Calvin’s research which will be most useful and beneficial to the collection’s anticipated users – Palaeopathologists, Osteologists and Archaeologists.  In addition to his published reports on skeletal material, many of which are not currently available, the collection holds Calvin’s original research notes, graphs and tables, excavation maps, and photographs, slide and radiographs of skeletal remains.  This raw data will allow the researchers of today to reassess and reinterpret the human remains and archaeological sites initially reported on by Calvin and his colleagues.  With regard to Calvin’s bone work, I don’t have a specific favourite piece of research but rather appreciate the meticulously preserved empirical evidence which gives the archive material contemporary scientific value.

A collection shot of the archives that Calvin Wells left behind, including postcards, books, skeletal reports and photographs. Image credit: University of Bradford.

That being said I do personally enjoy the articles Calvin wrote for more popular publications, such as the Times Literary Supplements, the Reader and the US magazine Horizon.  Additionally Calvin wrote regular columns for the Eastern Daily Press under pseudonym ‘Calliphon’.  These articles show that Wells was just as enthusiastic about discussing current medical issues as he was waxing on about disease and injury in ancient history.  For example in an article from 1957 Calvin outlines the mounting evidence of direct links between tobacco smoking and cancer.  In another he provides medical and moral arguments for embracing the mass polio vaccinations in 1955, about which much of the British public were wary.  Wells also used the column to write biographies of Norwich’s great physicians or wax lyrical about primitive man in East Anglia.  It was a popular feature for which ‘Calliphon’ received a great a considerable amount of fan mail.  Adulation was something Calvin embraced, and it increased as he became more prominent in palaeopathology.

On a surface level it could be argued that Calvin devoted himself full-time to palaeopathology primarily as a means of supplementing his pension whilst pursing his interest in the ancient dead.  However, there is something in the fact that Calvin wanted recognition beyond his work as a regional GP.  It’s clear that the career change opened up a new world for both he and his wife Freddie.  From around the mid-1960s, Calvin started to forge relationships with leading scientists and academics, began lecturing for prominent organisations, and received more opportunities to appear on radio and television.  As a natural showman, Calvin fully embraced the attention and respect that being an international authority on palaeopathology brought him.  This is not to say Calvin was cynically pursuing fame, as he invested a great deal of time and research into every job and appearance.  It is clear that Calvin seemed to be gearing up for a third act in his life before cancer struck unexpectedly.

TBOM: Do you think Calvin Wells would be surprised today that his work and research (and dare I say reputation) still plays such a fundamental component in the British history of palaeopathology? Do you think he would be struck by the diverse and wide-ranging courses available, and by the active number of researchers within the field?

JN:  With regard to how Calvin would feel about the development of palaeopathology, I think he would be awestruck by the methodological and technological developments in the subject.  Most of all I think Calvin would be compelled to revise his belief that only individuals with medical qualifications can practise palaeopathology, particularly when confronted with the scale of advancements made by researchers with backgrounds in physical anthropology, archaeology, medicine, biology, and zoology.  While the discipline has significantly evolved and diversified, I think Calvin would recognise his own passion and dedication present in today’s palaeopathologists.

A shot of Calvin Wells in action, helping to teach schoolchildren in Toronto on the value in studying human skeletal remains. Image credit: University of Bradford.

I was recently speaking with Dr Keith Manchester who remarked on how proud Calvin would be that his work continues to have influence almost two generations later.  Clearly he was conscious about leaving a legacy in palaeopathology, and this is evident in the extent with which the archive collection has been cared for and maintained.  Concerning the more contentious aspects of his legacy I think Calvin would be philosophical, probably following Oscar Wilde’s famous line that ‘the only thing worse in life than being talked about is not being talked about’.

TBOM:  Indeed, I think he’d be glad that his fundamental role within British palaeopathology, and palaeopathology as a discipline within its own right, would continued to be recognised.  Thank you very much for joining me at These Bones of Mine James, and I wish you the best of luck archiving the Calvin Wells collection.

Further Information

  • Visit the Putting Flesh on the Bones project website for further information and frequent updates.  The site is a wealth of information on Calvin’s books, skeletal reports and other aspects of intriguing life and lifelong passion for palaeopathological topics.
  • To visit the Twitter page for the project please follow @PFOTB_project, for the project Instagram page please check it out at puttingfleshonthebones.

Bibliography

Daniel, Glyn. 1978. ‘Calvin Wells Obituary; A Man’s Place in Nature by Glyn Daniel’. From The Times, 5 August 1978. [Available from University of Bradford Special Collections].

Hart, G. 1983. ‘Disease in Ancient Man: An International Symposium’. Toronto, Canada (1983).

Roberts, C. 2012. Calvin Percival Bamfylde Wells (1908-1978). In: The Global History of Paleopathology: Pioneers and Prospects. Edited by Jane Buikstra. New York: Oxford University Press. pp. 141-145.

Waldron, T. 2014. Crooked Timber: The Life of Calvin Wells (1908-1978). Journal of Medical Biography. 22 (2): 82-89. (Open Access).

Wells, C. 1961. Bones, Bodies and Disease. London: Thames & Hudson.

Guest Post: Launch of the University of Sheffield Rothwell Charnel Chapel Project Website by Greer Dewdney & Jennifer Crangle

16 Apr

Greer Dewdney is a graduate intern on the Rothwell Charnel Chapel Project, which is run by the University of Sheffield’s Department of Archaeology in conjunction with Holy Trinity Church.  A graduate of the department, Greer’s role is to help facilitate the project through its various stages.  Dr Jennifer Crangle, a University of Sheffield graduate and a Workers’ Educational Association tutor, is the project initiator whose doctoral research it is based upon.  Her research focuses on funerary archaeology and human osteology, with specific reference to medieval period England and Europe and a focus on the funerary treatment and the curation of the dead, both physically and ideologically.  Joe Priestly is an undergraduate student in history and archaeology at the department and also a freelance documentarian.  He acts as the project’s media designer and built the project website.

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The Rothwell Charnel Chapel Project is a joint venture between the University of Sheffield’s Department of Archaeology and Holy Trinity Church at Rothwell, in Northamptonshire, which aims to further understanding of the Medieval ossuary beneath the church.  The ‘bone crypt’ as it is known to local Rowellians, is one of only two sites in England with a Medieval charnel chapel where the structure remains intact and with human remains in situ (the other is at St. Leonard’s Church in Hythe, Kent).  The Project was begun as a result of Dr. Jennifer Crangle’s PhD research, and since then has been continuously expanding to address the many and varied areas of interest that have arisen in the investigation of this almost unique archaeological site.

One of the main areas of focus for the project currently is the creation of a ‘digital ossuary’.  This is being produced through collaboration with the Computer Sciences department and the Advanced Manufacturing Research Centre (AMRC) at the University of Sheffield.  By taking a 3D laser scanner into the crypt and strategically positioning it around the ossuary to take multiple scans, a point cloud has been generated which accurately records the ossuary in three dimensions.  This point cloud is what can then be processed and refined into a full 3D digital model, which can be viewed and explored by people through a computer, so that the fascinating and engaging experience of visiting the bone crypt is no longer restricted to people who can get to Rothwell and have good enough mobility to tackle the stairs.  This research was presented at this year’s CAA (Computer Applications & Quantitative Methods in Archaeology) conference in Oslo, Norway, by Jennifer Crangle and Peter Heywood.

rothwell site

The new website introduces the background to the site and the aims of the project. All images courtesy of Joe Priestly.

Another of the current focuses is an attempt to secure some dates for the bones in the crypt, as obviously the question of when they date to is foremost in the minds of many of the researchers and local residents.  Recently, some surface samples were taken for CHRONO, the C14 radiocarbon dating service at Queen’s University Belfast, to test the nitrogen content of the material.  These have determined that the bones are well-preserved enough for radiocarbon dating to be feasible.  With kind permission of the Church Council, five full samples will be taken to be tested (again at Queen’s University), so hopefully there will soon be some more concrete ideas of when some of the remains are  from.

Although this won’t tell us when the bones were deposited in the charnel chapel, it will answer one of the most frequently asked and longstanding questions in the site’s history.  The dates could give us some further insights, however, into the use of the charnel chapel and how it was perceived by Rowellians; for example, if one or more of our samples date to the 1700s or later, then they had to have been brought in after the site’s rediscovery circa 1700.  This illustrates the continued belief, that the charnel room was a suitable place for depositing bones, even if it wasn’t being used as a charnel chapel in this time period.  As a part of this any and all results from the radiocarbon dating are going to reveal so much more about the charnel chapel than we currently know.

Recently the project was awarded funding from the University of Sheffield Engaged Curriculum, and this has enabled the hiring of 3rd year Archaeology & History undergraduate student Joe Priestley.  Joe designed and built the project website, as well as providing invaluable services in photography and documenting events.  This strand of the work has created a great relationship between the people of Rothwell and given them, and others from across the world, the ability to interact with, and further, the research happening at this fascinating and unique site.

Further Information

  • Find out more on the Rothwell Charnel Chapel project website, where the history of the site is discussed alongside the current research aims.  You can also take a video tour of the church and chapel itself with the researchers and members of the church involved with the project.  Keep an eye out on the site for open day tours of the site with the University of Sheffield researchers and the church representatives.  Typically these are held yearly but expect the project to pick up pace and introduce further open days as appropriate. 
  • Check out the Facebook group where we regularly post updates about our research and get involved with the project.  We also welcome feedback, so please do get in touch with questions or ideas.
  • Check out a previous These Bones of Mine photography essay on Rothwell from the 2014 open day.  The post delves into the background of the site and highlights what research has taken place over the years at Rothwell and the context for the current University of Sheffield research project.

Selection of Previous & Current Research on Rothwell

Crangle, J. N. 2013. The Rothwell Charnel Chapel and Ossuary Project. Past Horizons. Published 03/08/2013.  Accessed 14/04/2016. (Open Access).

Crangle, J. N. 2016. A Study of Post-Depositional Funerary Practices In Medieval England. University of Sheffield. Unpublished PhD/Doctoral Thesis.

Garland, A. N., Janaway, R. C. & Roberts, C. A. 1988. A Study of the Decay Processes of Human Skeletal Remains from the Parish Church of the Holy Trinity, Rothwell, NorthamptonshireOxford Journal of Archaeology7 (2): 235-249.

Gonissen, J. 2013.  New Tools in Anthropology: An Evaluation of Low-Cost Digital Imagery Methods in 3D Photogrammatry and Reflectance Transformation Imaging Applied to Fragile Osteological Material with Limited Access: the Case of Rothwell ossuary (Northamptonshire, UK). University of Sheffield. Unpublished MSc Thesis. (Open Access).

Parsons, F. G. 1910. Report on the Rothwell Crania. Journal of the Royal Anthropological Institute of Great Britain and Ireland. 40: 483-504.

Doug’s Blogging Carnival: The Grand Challenges for Your Archaeology

1 Feb

Doug Rocks-Macqueen (of Doug’s Archaeology) is running another awesome blogging carnival following the success of his 2013-2014 Blogging Archaeology carnival.  Check out the Open Access volume that the original Blogging Archaeology carnival spawned, with the dedicated work of Doug and Chris Webster as the editors.  You can also read my review of it here, which was recently published in the AP Journal of Public Archaeology.  Both are available for free for your perusal.

This time around the theme is kept to one question: What are the grand challenges facing your archaeology? Anyone can take part, so please feel free to join in and write an entry (or draw, film and dance an entry in) about what your grand challenges are that you are facing in archaeology.  It is a one-off event for January, and Doug will post the replies to his call out by February 1st 2016 (but I’m hoping there will be further editions of the blogging carnival as it is so good to see the archaeology bloggers communicate with each other).  So without further ado, let me crack on with my entry for the carnival…

grand challenges facing arch david mennear photography 2016 jan

Probably one of my favorite memorial statues which can be found in a cemetery near to where I currently live. Check out Howard Williams Archaeodeath blog entry on the defense of photography in graveyards and cemeteries to learn more about the value of the recorded image. Image credit: A detail of one of my own photographs taken using a Pentax S1a camera on black and white Ilford film, if reproduced please credit as appropriate.

Grand Challenges Facing My Archaeology

Last night I drove up the coast to a nearby city to watch a Pearl Jam cover band with a few friends.  At the gig itself I was deeply moved by the band’s vitality, by the intense connection between a band the audience loved and a band the tribute act so clearly adored as well, but it was in the act itself, of how the cover band so carefully and energetically replicated Pearl Jam, that so impressed me (it isn’t easy capturing Vedder’s powerful voice, but kudos to the singer!).  The energy of a live act is hard to catch on tape, certainly a few live albums have managed to bottle this magic, but not the physical intimacy, the energy that re-bounds between the audience and the act when they give a great performance.

Having had the pleasure of seeing the real Pearl Jam play in a much larger venue in Manchester half a decade ago or so, watching this tribute act in a much smaller venue felt more raw, almost more real.  It was, or so I imagine, what it must have been like seeing Pearl Jam play live before they released Ten, the crowd of a few hundred bodies moving in time to invisible beat and roaring their appreciation between songs.  There is something about live music, when it is plucked from the air in front of you, that moves me so intensely.  It is also something that I have pursued much more actively in viewing since the loss of a beloved friend last year.

As I write this the song State of Love and Trust blares out of my CD player (I know, quaint in this streaming age) and I can feel my feet tapping and my fingers itching to blast something out on the guitar.  Scenes of last night are popping into my head – the rhythm guitarist bouncing around on stage, the singer clasping his hands around the microphone, the adoration of the crowd after Black is played and the personal joy of hearing The Fixer live.

It is this idea of distance, in a temporal-geographic sense, that I suppose is one of my grand challenges facing my own archaeology.  Writing in front of a screen offers precious little human connectivity as the tips of my fingers press into the plastic keys and dance across the keyboard.  I have thought more than once of stopping this blog, to focus perhaps on something more creative instead.  Although the blog post rate has slowed down remarkably after the first initial year, the content of the posts now dip into a more varied and eclectic range of topics and voices.  (Honestly readers, the Skeletal Series will eventually be complete one day!).  I feel that these posts help form the core of the identity of the blog, whilst the standard upcoming short courses or conference posts keep readers (and me) linked into the discipline itself.

One of the challenges, for me then, is knowing when to disconnect and when to reconnect.  There will always be an audience of some kind out there, but there is a need (at least for me) to take time off and to rejuvenate and to think about why I blog in the first place.  I want to help capture that feeling of vitality, of spotting the links between the everyday and the bioarchaeological (something that many bioarchaeology and mortuary archaeology blogs do exceptionally well).  I first started blogging to consolidate my own information and to capture how I was slowly learning the nuts and bolts of human osteology as it applied to the archaeological record.  I also wanted to offer a framework of what it is that human osteologists and bioarchaeologists do and why.  As stated above, this has changed somewhat as I came to understand that I wouldn’t necessary ever have a career in this field and that it would (likely) remain a passion of mine.  (This could be another blog post entirely, but it is down to a few different reasons that are not insurmountable in-and-of themselves).

Holding Your Head Up High

The blog is however but one facet of my identity, but it is one I have fleshed out over the past few years.  To change direction suddenly or to not blog for a while can feel like I am, in some sense, betraying those who would most like me to write.  As such I feel a duty to sometimes produce content, without which I sometimes don’t have either the heart or the time (which is also why there are currently 12 posts lingering in draft hell…).  It is wise to clarify here that those are pressures solely forced on myself – I know I take a long time to produce a post, but bear with me.

This site has afforded me a multitude of adventures and opportunities I never would have had if I’d not taken the dive and started writing for the fun of it.  I’ve been asked to contribute a book chapter to a new and exciting volume, I’ve been asked to speak in a country on a different continent, and I’ve been asked to contribute reviews to new and upcoming journals.  However, as much as I’d love bioarchaeology to be my breadwinner it is not.  I work in a completely different sector to my passion (and it is my passion that has burned the coals for the ability to continue down this path).  The day job gives me that monetary security to pursue the writing of reviews or chapters, to take part in open days, to watch and learn at conferences, and to conduct my own osteological analyses and research.  There is, I hope, a positive takeaway point from this – you too can join in as I have.

There is one constant at These Bones of Mine and that is the trying to champion the voice of others on the site, either by guest posts, interviews or point-of-view style entries.  I see this site as one continuous conversation between my writings (and the various winding alleys that these thoughts slowly percolate into) and the readers who take the time and the effort to read the words.  But I also see it as an opportunity to give a platform to other researchers and part-time bioarchaeologists.  This shall hopefully continue and please do not hesitate to contact me, or to look over previous guest posts (and the guest post guidelines) for further information.

On a personal note I have noticed that, when I am able to fit the time in, I am much happier to be actually carrying out human osteological analysis, to collect the data and to produce the report, that I personally feel I am doing something constructive and worthwhile.  Perhaps it was a feeling I experienced recently precisely because I did not have the time to assign to it and when I did, it felt special and unique.

Moving Forward By Going Backwards

Before the Pearl Jam tribute act I had the pleasure of attending the Little Lives day-long conference at Durham University, catching up with friends and learning about the great new research in the study of human non-adults in bioarchaeology.  A great deal of thanks must really go to the organizing committee of the conference, PhD researchers Clare Hodson, Sophie Newman and Lauren Walther, for putting together a varied, vital and exciting program of speakers.  One of the most mentioned topics of research within the study of non-adults were the implications in bioarchaeology for the DOHaD concept (Developmental Origin of Health and Disease, as an outgrowth of Barker’s Hypothesis, based on work conducted 25 years ago which investigated fetal origins for adult diseases, particularly cardiac and metabolic disorders).  It gave me food for thought as I’m currently analysing a collection of Iron Age and Romano-British individuals which runs almost the full gamut of age-at-death, from likely neonates to old adults.

In a way the analysis has a lovely circular notion to it, as the individuals I’m analyzing are from one of the first archaeological sites that I had the pleasure of excavating at.  Perhaps my challenge isn’t so much geographic as temporal – I have stayed close to where I have lived a large portion of my life, but my mind flits with eager ease through the changes that this place has seen.  Sometimes that is enough.

blog

Seeing from the other side, live grows anew. Image credit: Photograph by the author using a Pentax S1a camera and Ilford black and white film. If reproduced please credit as appropriate.

Learn More

  • Check out Doug’s Archaeology, an awesome site that cuts through the sections of archaeology entry by entry.  Read the rather lovely 2014 Blogging Archaeology edited volume, for free, here.  Follow the links on Doug’s site to join in this blogging archaeology challenge.  Remember no entry is too short or too long, nor any entry too discursive in its topic or content.

Views on Archaeology and Social Media Sought

10 Jul

Fleur Schinning, a graduate student in Heritage Management at Leiden University, is conducting research on how social media and blogs contribute to the accessibility of archaeology in the Netherlands and seeks readers of blogs to help fill in a quick questionnaire.  The research is focused on investigating how often, and why, readers access the social media range (with a strong focus on blogs) access and read about archaeological projects and news in order to ascertain their use as methods for education outreach and improving the accessibility of archaeology.

The readers questionnaire focuses on the motives and takes only a few minutes to fill in and can be accessed here.  It is well worth it as participants are automatically offered the chance to win 6 copies of the Archaeology magazine for free.  The questionnaire close at the end of July 2015 in order for Fleur to analyse the data and allow her to conclude her research.

As long time readers of this blog may know that I’m a keen advocate of blogging as a method of educational outreach, and as an interactive use of reaching a wide and diverse audience.  Blogging archaeology has never been more popular, both as a topic of academic research and as an actual activity.

A few quick highlights of this for me include Doug’s Archaeology blogging carnival from 2013-2014 (and the subsequent published Blogging Archaeology edited volume), where over 70 archaeology bloggers gathered every month over a 5 month period to discuss the questions that Doug posed.  This brought together a lively bunch of people and posts from all over the world, allowing for a range of fully fleshed out thoughts on a wide variety of blogging archaeology topics (you can see all of my replies here!).  Further to this is the ever expanding and growing Day of Archaeology project, held each July (I’m slowly cooking up an entry for this year), which brings together archaeological bloggers and social media users to show the diversity of a day in an archaeologists life.  This is a lovely event which really indicates just how wide a subject archaeology is and can be, with entries piling in each year from every aspect of the discipline you can think of.  Be sure to check out their website on the 24th July this year, or better yet join in.

On a quick bioarchaeology point I’m always impressed by Kristina Killgrove’s work over at Powered by Osteons and now as a bioarchaeology writer at the Forbes website (check out this interactive map of her coverage at the company).  Her work on the blogging site is really linking the academic research with public communication and engagement by making her teaching and research methods open to public access and engagement (and making it fun!).  One of the latest posts promotes the publication of her human osteology laboratory workbook for interested members of the public and specialists alike.  It is the product of the classes in human osteology that she has taught, and continues to teach, in her role as an associate professor.

Blogging archaeology and bioarchaeology has, for me, opened up so many new doors and has introduced to me wonderful people and fantastic opportunities that I could only of dreamed of before I started blogging back in 2011.  If you value reading about archaeology across social media and blogging sites, such as this one, that help a researcher and indicate how you interact with archaeology online.

Replies to Fleur Shinnings questionnaires are greatly received and, on behalf of this blog, I wish her the best of luck in her research!

Guest Post: Review of the Bethlem Museum of the Mind in Beckenham, Kent, by Jessica Sajovie

4 Jun

Jessica Sajovie is originally from Cleveland, Ohio, but is currently a London-based writer responsible for Diverting Journeys, a blog dedicated to irreverent reviews of museums and other curious destinations around the world, particularly (due to a limited travel budget) those in London and Southeast England.  In addition, she volunteers with a local history project, researching the First World War and its impact on Merton.  Jessica holds an MA in Early Modern History from King’s College London, with a focus on 18th century Britain and the history of medicine.  Her other interests include collecting vintage cookbooks and Pez dispensers shaped like American Presidents, a never-ending quest to find blueberry cake doughnuts in London, and reading books on ill-fated maritime expeditions and lurid titles picked from the historical “True Crime” section at the library.  She also enjoys classic rock.


Though I’m keen on almost all museums (the possible exceptions being particularly dreary local affairs, or anything sport-related), medical museums are a particular favourite of mine.  Over the past few years, I’ve blogged about a number of them around Britain (the Gordon Museum of Pathology, the Royal London Hospital Museum, Dr. Jenner’s House , the Royal Berkshire Medical Museum, and many others, if you feel like digging around my blog), and elsewhere in the world (even in places as far-flung as Thailand) but being a homebody at heart, I was excited to discover that a new medical museum had opened right on the outskirts of London – the former Bethlem Hospital Museum, which was recently revamped and re-opened as the Museum of the Mind.

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The entrance of the Bethlem Hospital museum in London.

Bethlem Royal Hospital has been around in one form or another since AD 1247, making it the oldest mental hospital in Britain (although it started strictly as an almshouse, and only began to be used for mentally ill patients in the early 14th century).  It was initially located in Bishopsgate, just beyond the old City of London, but was moved to Moorfields in the late 17th century, which is around the time it began to acquire its tumultuous “bedlam” reputation (the name of the hospital had been shortened to “Bedlam” for centuries, but it was only in the 1600s that the word began to be used as a synonym for chaos), as the hospital encouraged paying visitors, and gawking at the “lunatics” became a popular day out for the wealthy.  In 1815, the hospital moved again, this time to Southwark (what is now the Imperial War Museum), and due to a damning report about conditions in the hospital, Bethlem gradually developed more humane treatments for its patients, and put an end to the sight-seeing. Finally, in 1930, Bethlem moved out to its current location, in Kent, where the museum is located today.

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A detail of one of the entrance statues by Caius Gabriel Cibber in the museum highlighting the representation of mental illness via the shackles.  This is a continuing theme at Bethlem Hospital as shackles and chains were often previously used to subdue patients.

Firstly, some practicalities.  The Museum of the Mind is not too far from Croydon, so most Londoners should be able to make their way out there using a combination of trains and buses (or the tram from Wimbledon…if you don’t hate it as much as I do; ugh, it’s so slow, and the unfortunately named “Therapia Lane” creeps me out).  I chose to travel by car, which in retrospect may have been a mistake as it took about an hour to get there from Southwest London, but at least there was ample parking in the visitor lot at the hospital, which is a short walk away from the museum (and I had the freedom to sing along (poorly) to all my favourite classic rock songs in the car, which I wouldn’t have been able to do in the tram without getting weird looks).  The museum is normally open Wednesday-Friday, and the first and last Saturday of the month, and admission is free.

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A patient’s creative representation of mental illness.

My first impression was that it was like a small-scale Dr. Guislain Museum (a fabulous museum in Belgium that is located in a working mental hospital and provides a comprehensive history of psychiatric medicine, in addition to art galleries featuring works by people suffering from various mental illnesses), as it incorporated both museum space and art galleries with works by some of its service users.  I started with the gallery space on the ground floor, which was compromised of two rooms: a display area and a workshop whose walls were also lined with pictures.  A two or three paragraph description was provided for each piece; I particularly liked an artist with a penchant for photographing crows.  The workshop seems to be frequently used for various classes, as there was one starting up when I was in there viewing the art (and purchasing a Dan Duggan print), and since I was asked if I wanted to join the class (which I awkwardly declined, as I didn’t have time and totally lack artistic talent anyway), I assume at least some of them are offered free of charge.

The stairwell leading up to the first floor is flanked by the famous statues Raving Madness and Melancholy Madness (by Caius Gabriel Cibber, father of the much-maligned Poet Laureate Colley Cibber, though I have to say Alexander Pope’s constant mockery of the younger Colley livened up the 18th Century Literature classes I took in my undergrad days) which stood atop the gates of the late 17th century hospital, and truly demonstrate Restoration-era conceptions of madness, as the faces of the figures are so contorted that they scarcely look human.

Statues flanking the entrance stairs.

Raving Madness and Melancholy Madness by the artist Caius Gabriel Cibber at the 1st floor stairs in the museum.

There’s also an old donation box where visitors back in the sight-seeing era of Bethlem’s history were encouraged to leave money (although the treatments at the hospital have radically changed, the box is still in use for its original purpose, and they gladly welcome any donations).

The first floor is divided into a museum and another art gallery, which hosts temporary exhibitions.  The one I saw, which ran through May, featured the paintings of Bryan Charnley, who had schizophrenia, and “use[d] visual metaphor and symbolism to vividly illustrate the physical experience [of schizophrenia]” (taken from Bethlem’s website).  Many of his paintings featured his girlfriend, who struggled with depression herself and attempted suicide multiple times, eventually resulting in her paralysis, and thus the overwhelming impression I had of his art was one of poignancy.

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A Bethlem Museum of the Mind poster set in the historic hospital grounds.

The actual museum is fairly small, and is split up into several sections.  Unlike the Dr. Guislain Museum, this was far from a comprehensive history – being more a brief overview of changing attitudes towards mental illness over the years, and the ever-evolving treatments at Bethlem, as well as providing some perspectives from some of its service users.  The museum does make an effort to draw in the visitor by including lots of eye-catching displays (like a wall full of apothecary bottles) and a few interactives (some videos, and a computer where you could learn more about various diagnoses), but it wasn’t as interactive as one might expect from a brand-new museum, and the displays weren’t quite enough to distract me from the lack of content.

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A detail of the various concoctions and medicines used in the course of treatment for the individuals who stayed at Bethlem Hospital.

That said, I found the small collection of restraint devices used in the past fascinating, albeit disturbing, and I was also captivated by the before-and-after photographs of Victorian patients at Bethlem (the historical signifier of insanity apparently being unkempt hair, if these pictures were anything to go by).  I believe the hospital had something like a 47% recovery rate in the Victorian era, though with the lack of effective medication, you have to wonder how many of those “recovered” people should have even been placed in Bethlem in the first place (given the Victorian zeal for labelling anyone who didn’t quite adopt society’s mores as “insane,” I would imagine it was a fair few).

This section also contained even more art from former patients, and although many pieces were quite gloomy in nature (perhaps understandably reflecting the mental states of the artists), I was charmed by the many cat paintings of Louis Wain, who was briefly a patient at the hospital (his diagnosis is widely disputed, and is listed as anything from schizophrenia to Asperger’s…all that is really known is that he suffered from mood swings and was occasionally violent, although you really wouldn’t know it from his cheerful pictures).  Fortunately, postcards of his pieces are available at the gift shop (because everybody loves cats these days, right?), so you can take a little piece of Wain’s art home with you.

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A small selection of Louis Wain’s cat pictures.

Although I could tell that a lot of effort had been put into making the museum visually appealing, I do think it just needed to have more content.  The historical objects were my absolute favourite part, and I think the museum could be vastly improved by including more history, and more artefacts, because even though many historical psychiatric treatments are hard to stomach nowadays, they are a vital part of our past, and I think it’s really important that people learn about them just to see the strides medicine has made within the last century or two.

Although they offer classes and lectures, and the art displays do change from time to time, for me, one visit here was enough, as it just wasn’t extensive enough for my tastes, and didn’t really add anything to my understanding of psychiatric medicine (even the history of Bethlem itself was lacking, with more detail provided in a timeline at the top of the stairs than in the museum itself).  I really think the focus here was on the art, so if that interests you, you may enjoy the Museum of the Mind (and some of the artists were very talented, so their art was well worth seeing), but if, like me, you’re looking for something that skillfully combines history with some art, then I’d urge you to go to Ghent (if you can) to see the Dr. Guislain Museum, as it goes into so much more detail.

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A selection of the vials and bottles that the hospital used to store and use in the medicine collection.

In conclusion my score for the Museum of the Mind is 2.5/5 (and if anyone knows of a better mental health museum in Britain, please do let me know in the comments!).

Please Note

All photographs in this guest entry are by Jessica Sajovie, if used elsewhere please contact Jessica on her personal blog for permission.

Further Information

  • The Bethlem Museum of the Mind details the story behind the museum and the role that the hospital played in its own history.  The site also highlights upcoming exhibitions and the collections that it holds (including the wonderful artwork produced by some of the patients and its archive).  The museum blog, with regular updates on both the exhibitions at the museum and issues that affect the museum, can be read here.

Dactyl & Skelly Pad: Apps for Digital Bone Identification and Inventorying

10 Mar

Updates have been somewhat sparse on this site as of late due to varying workloads, both archaeological and osteological in nature, that have thus far maintained the focus of my free time.  So this is just a quick post highlighting new digital applications that have recently been released that have a specific focus and use for bioarchaeologists, palaeopathologists and forensic anthropologists, and that may be of interest amongst other related disciplines.

The first of these is the Dactyl application that has been produced by forensic anthropologists at the University of Teesside, spearheaded by Professor Tim Thompson (with a bit of help from my friend and doctoral researcher David Errickson) through the Anthronomics business.  Dactyl is a 3D viewer with photo-realistic models of actual scanned human skeletal elements that aids in the identification, siding and pathological analysis of osteological material from archaeological sites or forensic contexts.  Further to this the app also provides information on the anatomical landmarks present on individuals bones, indicating both the origins and the growth of the bone under study.  The models themselves can be zoomed in and out off, markers can be placed on the bone, and the models are full view-able from a number of directions and viewpoints (including lighting aspect).  This makes the app particularly handy for the field bioarchaeologist, or osteologist, in the identifying of skeletal material on-site or in the site hut.

dactyl

A screen shot of the Dactyl application as it currently stands. In this view a right Os Coxa (i.e. the hip, consisting of the fused ilium, pubis and ischium skeletal elements) can be viewed and explored. Notice the blue and red pins identifying landmark features and their uses. Image credit: Apple iTunes store and Dactyl App (2015).

The basic app costs £16.99 from the Apple iTunes store, and there are currently three additional add-on packs available.  These are available for a further £1.99 and consist of a) basic trauma, b) basic pathologies, and the c) non-adult pack.  It should be noted here that each of these only include two skeletal models, with the basic trauma containing four individual bone models, rather than a full range of skeletal elements.  Further updates will include more examples, but I am currently unsure whether the app will be available on more than just the Apple range of devices.  Atkin (2015) has written a fairly comprehensive review which is a useful and interesting read on the benefits and limitations of the Dactyl app itself.  The app is currently under review of a second version of the program as an improvement on the first version, but this promises to be an extremely useful application for iPad wielding archaeologists regardless of further improvements on the current model (which, of course, will surely happen).

The second is the Skelly Pad application for tablets, initially a free to use app designed to aid in the digital inventory of human skeletal and dental elements in archaeological or forensic contexts (a professional version of the app may lead to a charge to download it).  The importance of maintaining a proper inventory of skeletal remains cannot be over estimated, as this is the basic task that first allows for identification and analysis of the remains under observation.  Although it is at the early stage of design and production, the Skelly Pad application is now available to download and use on tablets.  It works across a wide variety of different operating systems and devices, including iPads, Kindle Fire and Samsung Galaxy tablets.

The product is the outcome of Gill Hunt’s BSc project at the University of Reading, in an attempt to digitise and streamline the recording of skeletal remains rather than rely on a paper record.  Currently Skelly Pad is only able to inventory the remains of adult individuals in the latest version of the application, although this includes all of the normal inventory sections (including completeness, age-at-death, biological sex, stature, pathology, etc).  The full range of current features that the Skelly Pad incorporates can be found here, and it certainly looks useful for the bioarchaeologist or forensic archaeologist, particularly in a setting where paper recording may be unsatisfactory for rapid recording of a skeletal inventory.  The Skelly Pad is now available through the App store, Google Play and Amazon.

By highlighting the two above applications, I think it becomes clear that as technology advances and powerful computers are now available in the palm of your hand, that innovation in the archaeological world also continues to make use of it, helping to overcome the limitations of access to skeletal collections, dreary weather and taking the weight off your shoulders (literally, if you have ever tried to carry around an anatomical textbook or a collection of osteological reference manuals).  Together with online resources such as Digitised Diseases (where 3D models of the effects of disease and trauma on human skeletal material are available to view for free), we are really seeing barriers being broken down to the access of both knowledge and collections.

An interesting side feature of this is the ethical edge of digitising and replicating the skeletal remains of individuals.  As we model their remains, replicate them on hundreds, if not thousands of machines, or create isolated 3D models of isolated elements, do we dis-embody and de-individualise the person themselves that they (the skeletal elements) once belonged to?  Does the educational need to correctly identify, record, and ultimately protect uncovered remains trump the loss of physical context of the bones that are used for digitisation as we transport them into the digital realm?  Are we distancing the feel and handling of bone itself, by relegating it to a flat screen?  These are broad-based questions with no straight forward answers.

It is clear, I hope, that I heartily approve of the magnificent steps forward that digital technology is allowing researchers to make in the understanding and recording of human remains using innovative techniques, particularly so given the fragile nature of the material (see Errickson et al. 2015 for good practice guidelines regarding scanning of osteological material).  The above are only two such examples of what I am sure is a thriving, independent and growing market.  A balance is always needed between access to physical reference collections, 3D models and osteological manuals, when assessing and analyzing assemblages from archaeological or forensic contexts.  One method cannot replace another.

As satisfying as having a handbook of osteology on your phone or tablet may be, nothing beats the heavy thud of a good reference textbook going into a rucksack or the boot of a car, ready for a days work.

Further Information

  • The Dactyl application for Apple products can be found either on the Apple app website or on Google Play.  The company behind the product, Anthronomics, can be found here.  It is an interesting company started by Professor Thompson himself which aims to invent useful programs, applications or devices to help aid in the recording, identifying and analysing of human skeletal material.  One to watch!
  • The Skelly Pad application for tablets (for use with Android, Amazon and Apple devices) can be found here and is available at each of the device makers stores to download for free.  The Skelly Pad blog can be found here also, which details the current version, and will host regular blog updates as the app as it proceeds to include further sections.
  • Digitised Diseases, a project spearheaded by the University of Bradford with a range of partners, depicts a number of 3D models of scanned human skeletal elements from archaeological sites with evidence of trauma or disease processes.  The models have been recorded and scanned using radiography, CT scanning and laser scanning techniques to produce highly accurate models showing the effects of disease or trauma on human skeletal elements.  These models can be viewed on the website itself or can be downloaded onto a computer, tablet or smart phone for future offline use.  I have previously discussed the open access site here.  You can also have a look to see how useful the site is for bloggers, as I helped illuminate one of my previous arm fractures with an example from the site, see here.

Bibliography

Atkin, A. 2015. Review of Dactyl: An Interactive 3D Osteology App [iPad]Internet Archaeology. 38. DOI: http://dx.doi.org/10.11141/ia.38.5. (Open Access).

Errickson, D. Thompson, T. & Rankin, B. 2015. An Optimum Guide for the Reduction of Noise using a Surface Scanner for Digitising Human Osteological Remains. Archaeology Data Service. Guides to Good Practice. (Open Access).

Blogging Archaeology: Round-up and the Book

14 Aug

Okay, so this is perhaps a tad late as were most of my entries for Doug’s fantastic Blogging Archaeology series.  Just a quick re-cap for anyone that missed it: over a period of 5 months, from November 2013 to March 2014, Doug openly asked members of the archaeology blogging world to take part in an online blogging conference where each month he would set a question and hope that arch bloggers would answer the world over.

Doug (who blogs at Doug’s Archaeology where he profiles the archaeology profession) was influenced and moved to start the blogging carnival back in November 2013 because the Society for American Archaeologists were, in April 2014 in Austin, Texas, having their annual conference which included a session on blogging archaeology (view the full preliminary program here).  As he himself could not make the conference (and neither could many other archaeology bloggers), Doug decided to open the floor and host a monthly blogging carnival on his site where he posted a specific question each month for bloggers to answer on their own respective sites.  Doug helped build up a fantastic collection of results and links each month detailing the wide variety of thoughts, experiences and wishes of the archaeology blogging world.

Although the carnival has been over for some months now I have been meaning to collect together my own series of entries for the carnival.  This is mostly for my own benefit as I am very interested to see how I feel about each question Doug posited in a year’s time or so, compared to what I felt at the time that I wrote the entry.  It is in essence, I’m afraid, some blog navel gazing!  But it is also a way in which to track the changes that I have made to the blog, both in content and approach, and also helps me remember what numbers of views and hits the blog achieved at a certain point.

A Personal Curation

So below are the links to the five blog entries that made up my own personal entry to the carnival:

BA November: Why I Blog

This was a two-part question consisting of ‘why did you start blogging’ and ‘why do you continue to blog (or not, as some have stopped)’.  This post details the origins of this blog, of wanting to start it to improve my own knowledge and skills, and wanting to discuss and open up communication about my own bone disease.  The second part of the post dealt with how the blog has expanded (with interviews, guest posts, skeletal series) and why this expansion has taken place.

BA December: The Good, The Bad, and the Ugly

This, a three-part post, details the good, bad and ugly aspects of blogging archaeology in all of its glory.  The good side is the ability to open myself up, talk about my passion and also discuss my own bone disease.  Through this I have met many wonderful people.  The bad is the lack of access to the journals whereas the bad isn’t so much bad as highlighting other blogs that do a fantastic job of highlighting the darker aspects of archaeology.  This is in both the commercial and academic sense, and the personal sense (i.e. unpaid internships, poor job conditions, lack of recognition in sector and government, poor pay etc that can pervade through the industry).

BA January: Best and Worst Posts

The January edition of the blogging carnival was interesting for people’s interpretations of what good best and worst could mean.  In my entry I discussed the blog statistics, including overall page views, comments, and number of followers.  I discussed the relevant merit of each basic statistical detail, but highlighted some shortcomings of each and of the WordPress format in general (although I do only use the basic free edition of the site).  I also mentioned a basic trend that appeared in the statistics over the months and weeks, which correlated with what other bloggers of archaeology reported, that namely views tend to fall in the summer (our target audience is too busy excavating probably!) and perk in the winter season.  As a part of the entry I also looked at the most popular and least popular posts, although there were no surprises there as the skeletal series are the most viewed posts.  This is largely due to their collective attractiveness to a broad range of disciplines such as medicine, anatomy and forensics, and not just the archaeology sector.

BA February:  What Does it all Mean to Me?

The February edition of the carnival was actually an open-ended question poised by Doug.  Unfortunately it led to the lowest turn out, however I ventured a topic and asked what this blog means to me.  In it I discussed the digital aspect of the blog, how information can change, transform and be curated.  I also highlighted the fact that I see the blog as a part of my personal academic world, a place where I try to understand what is happening in my field (bad archaeology joke there!) and why.  I also briefly discussed the social aspect of blogging through understanding the impact of blogging human osteology and bioarchaeology as discussed in a recent academic journal article, and how this view was rebutted and challenged by those very blogs it discussed.

BA  March: Future Goals of Blogging

In the final entry of the blogging carnival Doug asked the bloggers what their future hopes were, how they thought their blogging may change or change them.  In my response I further detailed my view on blogs as a space between the commercial, academic and voluntary worlds of archaeology, where they (the blogs) often rest on the shoulder of just one person and are often a reflection of that aspect; that they are an expression of interest in the chosen topic and a personal journal at the same time.  I also discussed the idea that blogging validates our interest in our chosen subject, and that this is reflected by the recognition and reference of our sites as markers of interest or worth in the academic world (via article references) and/or by the public interest expressed.  Further to this I highlighted the nature of the blog itself, both the presentation and the form, and how these can be changed and manipulated as the blogger sees fit.  Ultimately, as Spencer noted in the comments, archaeology blogging bridges a gap, that we can provide, and that it is inclusive.

The Book

The utterly fantastic outcome of the blogging carnival was the publication of the Blogging Archaeology (2014) book, edited by Doug Rocks-Macqueen and Chris Webster, in which beforehand the editors openly called for articles from the blogging community online.  There are not many opportunities in the archaeological world where you can mix a full panoply of personal and professional perspectives as much as this publication has produced, from the worlds of commercial archaeology, academia, and the voluntary sector.  It is an amazing 293 page volume which manages to fit in the breadth and beauty of blogging archaeology online discussing, as it does, a variety of topics in archaeology, heritage and digital media.  This includes topics such as (but is certainly not limited to): understanding mortuary archaeology and blogging, understanding the commercial sector and social media use, teaching public engagement in anthropology, understanding the perceptions of archaeology and the language used when discussing the subject, to a range of personal reflections on blogging archaeology.  The publication is available for free to read and download here.

blogging arch book cover

The front cover of the Blogging Archaeology (2014) publication. The volume includes a number of articles from prominent arch bloggers, including Katy Meyers (Bones Don’t Lie), Kristina Killgrove (Powered By Osteons), Sam Hardy (Conflict Antiquities) and Howard Williams (Archaeodeath). Read the book here.

As I stated in my last entry for the series back in April, I sincerely hope that the archaeology carnival becomes an annually recurring feature of blogging archaeology online.  There are certainly many potential subjects left to be covered by such a venture and the carnival truly brings an inclusive aspect to the archaeology blogging world and archaeology in general.  It also helps to highlight the sheer amount and wealth of archaeology and heritage themed blogs that I, personally, had not previously known about.

It has also shown that you shouldn’t be afraid about jumping into this world yourself, no matter what your background, interest or experience.  It really is open to anyone who wants to write or talk about archaeology, where the number of platforms and ways to engage the audience is limited only by your own imagination.  Overall the blogging carnival was a fantastic opportunity to reflect on what blogging meant to me, where it has taken me so far and where I hope it will take me in the future.  So to Doug I say a big thank you for putting this together and for producing the publication.